Category Discussion

Nov 29 2018

Ironheart 1: Discussion

by Drew Baumgartner and Michael DeLaney

Ironheart 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

RiriwhydidyoubecomeIronheart?

Xavier King

Drew: My favorite scene of Eve Ewing, Kevin Libranda, and Luciano Vecchio’s Ironheart 1 takes up most of the third act. Riri, exhausted from a day of inventing, superheroing, and unexpected tour-guiding, is rudely woken by her phone. The call is from Riri’s old neighbor, Xavier, whose out-of-the-blue call makes her suspicious. Sure enough, the call was Riri’s mom’s idea — exactly the kind of thoughtful meddling a teen would resent. In spite of this the two find some common ground with their shared enthusiasm for sci-fi and Hip-Hop. But then the other shoe drops, and Xavier blurts out the breathless question quoted above. In many ways, Xavier is articulating the central question of this series: Why is Riri Williams Ironheart? Continue reading →

Nov 28 2018

West Coast Avengers 4: Discussion

by Drew Baumgartner and Spencer Irwin

West Coast Avengers 4

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I just wanted to [work in the documentary format] to see what it was like. You know, to take those weights off our ankles. I feel like 30 Rock and Community never get an award for doing a format that’s twice as hard. Because it really is twice as hard. Not only can you not lay in a voiceover, sort of explaining what people are doing and how they feel, but on top of that, you are combining all of the crutches that come from flashbacks and jumping around in time and multiple points of view. I wanted to do it and verify that it actually is easier to make an episode funnier using that format. And the answer is, yeah, it is. I mean, there were a lot of jokes in the episode, and it just seemed faster, like we were able to fire off more and pack more into it.

Dan Harmon on “Intermediate Documentary Filmmaking”

Drew: I regret that this quote is so critical of the documentary format, since my takeaway isn’t that it’s “easy” to be funny using that format, but that the format itself is well-suited to comedy. (Honestly, it’s hard for me to imagine caring about how easy or difficult a joke is to tell — I just care if it’s funny.) Indeed, I’d argue that selecting the format that best tells the story is of the upmost importance, and a format that is funnier and faster is ideal for a series like West Coast Avengers. In many ways, the documentary format itself — represented in this issue by the confessional sequences delivered directly to camera — sets the pacing for this issue, establishing six square panels as a kind of heartbeat for each page. Continue reading →

Nov 16 2018

Wonder Woman 58: Discussion

by Spencer Irwin and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Just last week I dug a bit into some of the weaknesses of Hal Jordan and the Green Lantern Corps’ space-cop, “lawful good” approach to justice, and now, here comes Wonder Woman 58 to provide a hero on the exact opposite side of Hal’s coin, one who follows her own justice rather than any one set of laws. I’m definitely more on Diana’s side than Hal’s here, to be sure, but G. Willow Wilson and Cary Nord don’t let their hero (and her worldview) go unexamined either. This issue seems prepared to explore numerous approaches to justice, and it makes the full scope of its grand ambitions clear when it asks the hardest question of all: “Is there any such thing as a just war?” Continue reading →

Nov 15 2018

Mister Miracle 12: Discussion

by Drew Baumgartner and Patrick Ehlers

Mister Miracle 12

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: Critics of postmodern fiction often suggest that its self-reflexiveness is flashy, but devoid of meaning. According to the argument, postmodernism is a bit like racing stripes on a car — it might be superficially appealing, but doesn’t actually change what’s under the hood. I would argue that those critics are forgetting (or perhaps taking for granted) one of the most basic roles fiction plays in our lives, as an analogy for reality, augmented and enhanced to reveal something to us about the world we live in. In that way, postmodern self-reflexivity is simply part of that analogy — particularly apt for addressing our own existential crises. There’s no clearer exemplar of this argument than Mister Miracle 12, which twists all of the miniseries’ questions about Scott Free’s reality into a moving commentary on life with depression. Continue reading →

Nov 9 2018

The Green Lantern 1: Discussion

by Spencer Irwin and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Given the state of, well, everything (recently I’ve found myself answering “How are you?” with “Good…well, other than, y’know, the world“), lately I’ve been finding it harder and harder to deal with “cop stories,” or even the role of cops within non-cop stories I read. I struggle to reconcile the fact that some sort of law enforcement is necessary to deal with murderers, rapists, and those who prey on the innocent with the fact that the police, as an institution, have been infiltrated by white supremacists, abusers, and racists, are filling for-profit prisons with non-violent offenders and killing unarmed children in the street, and have generally been rendered so corrupt so as to be more harmful to the public than helpful. With that in mind, it’s interesting to look at how Grant Morrison and Liam Sharp approach the intergalactic police force known as the Green Lantern Corps in The Green Lantern 1. What kind of cop story is it? I’m honestly not sure yet. Continue reading →

Nov 6 2018

Marvel Two-in-One 11: Discussion

by Michael DeLaney and Drew Baumgartner

Marvel 2-in-1 11

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Three weeks, Lex: I challenge you. All those things you always said you would have done to benefit humanity if I hadn’t been in your way. It’s not too late to put that brilliant mind to work.

Superman, All-Star Superman 10

Michael: I cannot help but think of this quote when I read Marvel Two-in-One 11. Overall the Superman/Lex Luthor dynamic isn’t a perfect analogue for that of Mr. Fantastic/Dr. Doom, except maybe in this instance. It’s the nature of causality: would Victor Von Doom be a good man if not for Reed Richards? Chip Zdarsky explores that idea in issue 11. Continue reading →

Nov 1 2018

Extermination 4: Discussion

by Drew Baumgartner and Spencer Irwin

Extermination 4

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s no time to explain!

Evasive Characters, Traditional

Drew: There comes a point in any mystery where the effort of maintaining the secret is obviously more trouble for the characters than simply admitting the truth. Writers may delay the inevitable by interrupting much-needed explanations, or adding some urgency that makes such explanations impossible, but inevitably, just taking a moment to put everyone on the same page is better for everyone. That is, “There’s no time to explain,” almost invariably causes more confusion and delays, taking more time than actually explaining what’s going on, and any character who is truly concerned about time would recognize that. Case in point: young Cable’s cause, when he finally gets around to explaining it in Extermination 4, is so compelling that virtually everyone who hears it is immediately on board with his plan. It would have saved him a ton of time sneaking around and fighting if he had any confidence in the necessity and righteousness of his mission. Fortunately, writer Ed Brisson has written in a remarkably effective explanation for young Cable’s illogical behavior: he’s a teenager. Continue reading →

Oct 26 2018

Black Panther vs. Deadpool 1

by Michael DeLaney and Drew Baumgartner 

Black Panther vs. Deadpool 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: How do you think Marvel editorial goes about creating another “Vs” mini-series? Is there a quarterly mandate they must fill? Is it a writer’s repurposed series pitch? I suppose there must be some sort of demand since they keep making them, right? In spite of that I must say I was pleasantly surprised by Black Panther vs. Deadpool 1, a book that accurately depicts the tones of these very different characters without compromising either one of them. Continue reading →

Oct 25 2018

Teenage Mutant Ninja Turtles Macro Series: Michelangelo 1

by Patrick Ehlers and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: I love the Teenage Mutant Ninja Turtles, but part of that love comes from my now-decades-long exposure to them. I can look at any one of these four brothers and see a multifaceted, well-rounded character. This is in spite of the fact that they were introduced to me in a cartoon theme song that was content with describing Raphael as “cool, but rude.” And, to be fair, they can be tremendously fun characters, even when boiled down to archetypes. With that in mind, it’s fascinating to see how writer Ian Flynnn and artist Michael Dialynas craft a story the requires our hero to be so much more than a party dude. Continue reading →

Oct 23 2018

Darth Vader 22: Discussion

by Patrick Ehlers and Spencer Irwin 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Our very own Mark Mitchell has expressed to me on a couple different occasions that he doesn’t get the appeal of either Darth Vader series that Marvel has published. His rationale is that the more we know about Darth Vader, the less terrifying he becomes. And he’s not wrong: there’s a whole trilogy of movies clarifying Anakin’s motives and they only serve to make the Dark Lord of the Sith more of a bumbling blunt instrument than an evil mastermind. But with Darth Vader 22 writer Charles Soule shows us how scary the motivations of a truly evil Dark Side master can be. Of course, Vader proves himself to be even scarier by rejecting Lord Momin’s ideology in favor of a far more direct motivation: accumulation of power. Continue reading →