by Drew Baumgartner & Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Brian K. Vaughan series are hard to pin down, generically. I mean, they obviously fall into big capital-G genres like “sci-fi” or “space opera,” but the list of specific influences — which Vaughan often name-checks — can shift from issue to issue. Case in point, Paper Girls has sprinted through dozens of generic touchstones in its 17 issues. And yet, I’ve been holding onto its starting point in the Spielberg/Columbus-style suburbia of the late ’80s as some kind of essential component of its DNA, even as the series hasn’t been in that setting since its very first arc. While some of the girls may still be in that head-space (Mac sure seems to be), they’re traversing worlds that have entirely different points of reference (both for the people who live in those worlds, and the stories we tell about them), which seems to be leaving an impression on them. Continue reading