Detective Comics 16

Alternating Currents: Detective Comics 16, Drew and ScottToday, Drew and Scott are discussing Detective Comics 16, originally released January 9th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

death-divDrew: Batman, as an idea, is essentially a very elaborate scared-straight program. The whole reason Bruce Wayne dresses up like a bat is because he believes criminals — a superstitious and cowardly lot — will be too afraid to commit crime in Gotham. Sure, some criminals are too cocksure to fear him, or simply don’t believe that he exists, but pretty much everybody runs once he actually shows up. Joker is different. For whatever reason — that he doesn’t feel fear, doesn’t mind fear, or just that he just sees Batman as a guy in a costume who keeps insisting that everybody take him seriously — the idea of Batman doesn’t deter Joker from crime. In fact, modern interpretations of the character suggest that he commits crimes in order to gain Batman’s attention. That notion is what’s made their struggle such a fundamental one, and also explains why the Joker has so many fictional fans — if he can not blink in the face of terror, so can others. The idea that the Joker could be an empowering figure is a fascinating one, but unfortunately, Detective Comics 16 doesn’t take the time to do it justice. Continue reading

Detective Comics 15

detective comics 15

Today, Scott and Patrick are discussing Detective Comics 15, originally released December 5th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.death-divScott: It can be surprisingly easy to convince yourself of something that is obviously not true. I had a crush on a girl in elementary school and then some years later, I retroactively convinced myself that she had been my girlfriend. I don’t know how exactly it happened, but over time I came to believe this to be true, and only when I really stopped to think about it did I have the sad realization that I never had a girlfriend in elementary school at all. I also more recently convinced myself that this story sounded cute, and not at all desperate and creepy, which again may not be totally true. Regardless, I can sympathize with the Clayface arc that dominates Detective Comics 15: discovering that a love you believed in never existed sucks.

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Detective Comics 14

Today, Shelby and Patrick are discussing Detective Comics 14, originally released November 7th, 2012.

Shelby: Scott Snyder has spoiled us with his work on Batman. His take on the Dark Knight is complex and expansive, allowing for a lot of personal growth for the character as well as massive cross-over events. It’s gotten so that is what I expect from Batman; epic, sweeping narratives on a grand scale. It’s easy to forget the fun to be had in a simple Batman vs. bad guys story. That’s exactly what John Layman gives us in Detective Comics; Batman chasing the baddies, being a detective. While the storytelling is a little bit clunky, it’s still a fun little jaunt into an old-school Batman adventure.

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Detective Comics 13

Today, Scott and Patrick are discussing Detective Comics 13, originally released October 3rd, 2012.

Scott: My former boss created a “Law and Order” cheat-sheet, a minute by minute breakdown of every plot point, twist and reveal that occurs over the course of an episode. Each episode follows this same format, almost down to the second. Even more impressive though, is that the show still manages to captivate, and even surprise the audience. Even though the format is totally predictable, they withhold just enough information that we still feel like we’re solving the crime along with the detectives, and revelations that we might have known were coming are completely satisfying. Withholding that information is key, and it’s also where Detective Comics 13 falters; what could have been an interesting mystery ultimately lacks intrigue because it gives away too much at the start.
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Op-Ed: In Defense of Pickiness

As an upstart comics review site, one of our primary methods of publicity is tweeting our reviews at creators and hoping for a retweet. This process is made much more complicated (or at least uncomfortable) when the review is openly negative, and impossible when the creators aren’t on twitter in the first place. For last month’s review of Detective Comics, I just started tweeting at randos who had posted positive things about #DetectiveComics, asking them to defend their position. One such rando was game enough to actually engage us, offering several arguments to both why DetCom 8 wasn’t so bad, as well as why our attitude may actually be detrimental to comics in general. As I sat down to write this month’s review of DetCom, I realized that I was much more interested those arguments than in anything going on in the issue. I’d like to use this space to respond to those very arguments. Continue reading

Cram Session: Batman 1-8

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Scott Snyder’s current run on Batman in both character- and author-defining work. It also manages to rope every other superhero in Gotham into its orbit, and the Night of the Owls sweeps through 11 different series this month. Batman is the hub. It’s also the strongest title in the bunch. Read every issue twice, then read them all again six more times, then watch our video recap.

Cram Session: Detective Comics 1-8

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

If you’re already reading Batman, then you might not see the point of another series featuring the characters as the hero. Or, you could be like the Retcon Punchers and have read every issue and still don’t see the point of this series. Well you don’t have to read it to find out what happened in issues 1-8.