This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Ryan D: When one writes about comic books, due to the popular types of stories being told, the critical eye encounters Joseph Campbell’s template for “the hero’s journey.” This monomyth pervades the pages of superhero titles, and seems even more prevalent in solo runs of characters due to the ease of accessibility inherent to that narrative. In Jean Grey, however, Dennis Hopeless and his creative team use a different kind of literary precedent — that of the Bildungsroman –– to tell the story of the young Jean as she gears up to meet the looming threat of the Phoenix. The Bildungsroman is a novel of formation or education with the psychological and moral development of the protagonist as the crux of the narrative, along the lines of Ponyboy in The Outsiders or Marji in Persopolis. Jean Grey 3 continues that trend of Jean moving painfully towards development and maturity as she learns a lesson in the company of “Marvel’s First Mutant,” Namor. Continue reading →
Today, Spencer and Patrick are discussing New Avengers 3, originally released November 18th, 2015.
Spencer: Al Ewing and Gerardo Sandoval’s New Avengers is rather explicitly a book about problem-solving; the very purpose of Sunspot’s revamped A.I.M. is to use their resources to solve crises on a global scale, and the bulk of the second issue was spent breaking down the threat of Life-Minus like a math problem in order to find a solution. It seems appropriate then that, with the concept of problem-solving having been thoroughly established, Ewing and Sandoval shift the focus of issue 3 to exploring the effectiveness (and morality) of various approaches to solving problems. Continue reading →
Today, Spencer and Taylor are discussing New Avengers 1, originally released October 14th, 2015.
Spencer: I love “team” books. There’s just something fun and exciting about throwing a bunch of heroes — be they A-List or Z-List — together and seeing what happens. Despite the potential for almost endless variations, though, many team books find themselves repeating certain familiar combinations, tropes, and ideas over and over (look how many books started using the “traitor” plot once Terra first popped up in the Teen Titans, for example — and even she was a riff on Kitty Pryde’s role in the X-Men). Thus, my favorite part of Al Ewing and Gerardo Sandoval’s New Avengers is how quick they are to acknowledge and subvert many of those tropes. This book is clever, fun, and gets right to the point; it’s pretty much everything I look for in a team book. Continue reading →