This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
In the world of popular fiction, there’s a very low risk of the main characters — or the most recognizable ones — dying. We know that our protagonists are safe in any given story, so there’s a higher likelihood that any supporting cast member will meet their end. As entertaining and touching as Despicable Deadpool 295 is, I can’t help but feel that it’s just another story where the characters we like stay safe while the nameless ones die off. Continue reading →
Today, Patrick and Michael are discussing The Goddamned 1 originally released November 11th, 2015.
And the disciples came and said to Him, “Why do You speak to them in parables?” Jesus answered them, “To you it has been granted to know the mysteries of the kingdom of heaven, but to them it has not been granted. For whoever has, to him more shall be given and he will have an abundance; but whoever does not have, even what he has shall be taken away from him. There I speak to them in parables; because while seeing they do not see, and while hearing they do not hear, nor do they understand.”
Matthew 13: 10-13
Patrick: God makes Adam and Eve. They defy God’s will and are cast out of the Garden of Eden. They have two sons: Cain and Abel. The sons don’t get along, so Cain kills his brother. God is furious with Cain, marks him as a cursed man and sends him out to the land of Nod away from his family. My summary of the Cain and Abel story right there is about as long as the actual text from Genesis. That book is nuts – it can spend paragraph rattling on about lines of succession, but burn through two deep betrayals and the first murder ever in a scant few sentences. If there’s any meaning to be found in that story, it must be extrapolated out by the reader – that’s why people go to church every Sunday: so someone can try to explain the “meaning” of the stories to them. But even those explanations are hard to understand. Take Jesus’ answer to “why do You speak to them in parables?” above. The point of the stories isn’t to understand them necessarily, but to experience them. Jason Aaron and r.m. Guéra’s harrowing first issue of The Goddamned sets out very specifically to be experienced rather than understood.