There’s No Justice in the Justice System in Despicable Deadpool 292

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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If you’ve ever listened to the podcast Serial or watched the Netflix series the Making a Murderer, you are more than aware of the failings of the American justice system. In the case of these two series, innocent people were sent to jail for dubious reasons, but that is far from being the only reason why the justice system should be looked at with a wary eye. There are too many points to raise about this issue here, but suffice it to say, the justice system lacks…well, justice. Not only is this true in our world, but also in the world of Marvel comics, as Deadpool learns when he pays a visit to his old nemesis, Stevil Rogers. Continue reading

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Spoofy Action in Despicable Deadpool 291

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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If you haven’t seen Edgar Wright’s supremely funny Hot Fuzz, I heartily recommend renting it and making tonight a viewing party. The movie is predictably funny because Simon Pegg is a comic genius, true, but what always makes me laugh is the way Wright directs action scenes. He clearly has an ironic fondness for silly action movies (think Michael Bey) and that is made clear in the way he so cleverly spoofs typical action movie tropes. My favorite of these is when Simon Pegg and Nick Frost leap into a room guns-blazing and seem to be falling and shooting for an endless amount of time. This scene so well captures and lovingly makes fun of action movies in a clever way that is also present in Despicable Deadpool 291.  Continue reading

An Odd but Lovable Couple in Despicable Deadpool 290

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Odd couples are almost always a great recipe for entertainment, if done right. For example, Independence Day‘s odd couple of Captain Steven Hiller and David Levinson (played by Will Smith and Jeff Goldblum respectively) is so dynamic that it can carry a movie that is otherwise too dumb to succeed (or is that the point?). The same point can be made about the recent arc in Despicable Deadpool, which features the unlikely partnership between Deadpool and Cable. While it was fun to see these two beat the shit out of each other for a couple issues, it’s even more fun to see them work together as an odd couple in issue 290. Continue reading

Time Travel Mulligans in Despicable Deadpool 288

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Everyone knows there are paradoxes when it comes to time travel, but the very idea of time travel in a story comes with its own set of paradoxes as well. Chief among these paradoxes is the fact that any story being told is somewhat meaningless. Why? Well, if characters have the ability to time travel then they probably have the ability to go back in time and alter the story line they just took part in. This is the case in Despicable Deadpool 288 where all sorts of crazy shit happens, but none of it may matter at all. Continue reading

Violence Can be Funny in Despicable Deadpool 288

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Deadpool has always had an interesting relationship with violence. Its titular hero is one of the more bloody characters in the Marvel pantheon, yet he’s also one of the funniest. This means that at the same he’s committing atrocities, Wade Wilson is also cracking jokes. This relationship is easier to write than it is to draw. After all, how are you supposed to draw someone being killed and have it be funny? Scott Koblish seems to have figured that out, turning a bloody issue into one that somehow retains its humor in spite of (if not because) of its violence. Continue reading

Despicable Deadpool 287: Discussion

by Patrick Ehlers & Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Patrick: There’s a principle in screenwriting called “save the cat.” That phrase refers to the act of unambiguous good a character needs to perform in order to win the audience’s sympathy. To use the idiom’s namesake as an example, as long as our hero has rescued a cat from a tree branch, any other morally dubious behavior can be forgiven. One shred of evidence that he’s a good guy is enough to trick our brains into believing that he must actually be good. This may sound like kind of a hack technique, but writers use it all the time, particularly since the rise of antiheroes. Our boy Wade Wilson gets them all the time — the audience can recoil at 95% of his actions, just so long as he protects a kid, helps and old lady, or saves a cat. Despicable Deadpool 287 throws that convention out the fucking window. This isn’t the hero Deadpool, this is the cut-throat, single-minded, merciless merc with the mouth. Continue reading