This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There are a lot of reasons to dislike social media, but perhaps one of the best is that it propagates FOMO, or “fear of missing out.” In in a nutshell, FOMO is when people generate anxiety over the fact that something cool is happening right now and they’re not a part of it. What with friends and such sharing all their awesome experiences virtually all the time, it’s not hard to see why this is now a problem. This fear though, must be nothing compared to Gert’s, given that she was dead for two years and resurrected only to find the world completely different from what she once knew. Continue reading →
Today, Drew and Ryan M. are discussing I Hate Fairyland 1, originally released October 14th, 2015.
Drew: When I was in high school, I used to annoy a friend of mine by insisting that all ska music sounds the same. I suspect the vast majority of people might agree that ska has a pretty specific sound, but that’s true of virtually any artistic style, from country music to cubism — if you aren’t placing it in the appropriate context, you’ll only notice the most superficial elements, which necessarily define the genre. I’d argue that certain artists are so unique that they present a genre unto themselves, which is why sophomore efforts from those artists, say Spike Jonze’s Adaptation or Weezer’s Pinkerton, are chronically under-valued: we notice only the superficial similarities to their previous work, failing to appreciate what makes this one different. History tends to right those wrongs, but it can be hard to correct in the moment. So please, don’t hold it against me when I suggest that Skottie Young’s I Hate Fairyland presents a cuter, cruder take on his Rocket Raccoon. Continue reading →