Drew: Of all the ways a writer can use to emphasize their storytelling beats, shuffling the chronology of the events always demands my attention. I almost called it “distracting” but I think I mean “demands my attention” — I absolutely appreciate that it’s a handy tool in the savvy writer’s toolkit, but we’re so used to perceiving events one after the other that flipping them around feels noticeably alien. Again, I don’t want to imply that it’s inherently bad — there are lots of compelling reasons to tell a story out-of-order — but that it draws attention to itself in ways that aren’t always accounted for. Fortunately, Matt Fraction has routinely proven himself capable of handling (and justifying) these types of stories, making Hawkeye 20 an excellent example of nonlinear narrative done right. Continue reading
Shelby: Everyone needs a reality check every now and again. It’s that moment at the end of a vacation when you first check your work email, when the fantasy you’d been living is revealed to be just that, and it’s time to get back to reality. It’s not a fun feeling, discovering something seemed too good to be true because it was, that the “happily ever after” you thought you had was just a story and now the story’s over. Kate Bishop has been trying to build herself a new reality away from a certain, “needy abusive black hole of crippled emotions,” and it was finally beginning to look like she’d succeeded. Unfortunately, she’s got a massive dose of reality headed her way, and it’s not going to be pretty.