This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The Hawkeyes are team players. Whether it’s the Avengers for Clint or the Young Avengers for Kate, they’re more or less synonymous with their respective teams. That’s part of what makes their solo series so subversive and interesting — in part because it finds them away from their usual teammates, and in part because it finds them forging new teams out of the people around them. Only, for Hawkeyes, it’s never quite that simple. Case in point: the first half of Kelly Thompson and Leonardo Romero’s Hawkeye 9 provides an object lesson in why Kate needs her team, but the second complicates their relationship, forcing Kate to keep that team at an arm’s length. Continue reading →
This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Fear of intimacy is one of those tropes that’s so common it’s practically become cliché (Friends was on at the gym the other day, and I couldn’t help but to roll my eyes at Chandler trying to run away from his wedding), yet its based on very real, very understandable fears. Without intimacy one would lead a very lonely life, yet opening yourself up to another person is, ultimately, a risk that takes a surprising amount of courage to do. That’s something America Chavez has already discovered in America 5, an issue that shows the benefits of her emotional intimacy even as this same quality places her in grave danger. Continue reading →
This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
You see it a lot in movies and TV shows nowadays, the flashback or flashforward in time. Its popularity with artists is understandable, though — when you only have so much time to devote toward character development, why not take a shortcut and use a flashback to show what motivates a character? Just because this is an easier way to develop a character doesn’t mean it’s easy, however. In Hawkeye 8, the use of flashback isn’t damning, but it also adds relatively little to the story at the same time. Continue reading →
Today, Spencer and Drew are discussing Hawkeye 5, originally released April 5th, 2017. As always, this article contains SPOILERS.
Spencer: A defining trait of Hawkeye is that they’re a bit of a “hot mess.” For all their skill as archers, both Clint Barton and Kate Bishop tend to be disheveled, disorganized, and often immature in pretty much all other aspects of their lives. This likewise applies to Kate’s new job as an L.A. P.I., a job she’s thus far succeeded at largely through luck and improvisation rather than skill. Thankfully for her, though, it turns out that this may actually make the job a perfect fit for her. Who better to teach that lesson than fellow P.I., and the “Queen of Hot Messes” herself, Jessica Jones? Continue reading →
Today, Spencer and Drew are discussing America 1, originally released March 1st, 2017. As always, this article contains SPOILERS.
Spencer: I’ll never forget a piece of advice a friend once gave me: “You’ve learned everything you can from this job. It’s time to move on.” That statement has always stood out to me because, up until that moment, I had never considered the challenge provided when looking at a potential job; I’d grown up thinking of a job only as a means to an end, a way to get money to survive and pursue more meaningful hobbies. Now though, while I recognize that there’s a certain amount of privilege involved in that advice, I also recognize the truth in it. I think that statement is certainly going through America Chavez’s mind in America 1 as well, as the hyper-competent Ultimate embarks on a new stage of her career: college. Continue reading →
Today, Taylor and Drew are discussing Hawkeye 3, originally released December 14th, 2016. As always, this article contains SPOILERS.
Taylor: Legend has it that carved upon the Ancient Greek Temple of Delphi are the words gnothi seauton — Know Thyself. For the Greeks, it was important to know who you were and your place in society. This maxim not only helped you achieve glory, but prevented you from overstepping your bounds, as so many ill-fated Greek characters learned all too late. In our modern culture, knowing yourself has taken on a completely new meaning. Because of social media, you’re not only yourself but also the brand you push out there on Facebook, Twitter, and comic blogs. Given this, it’s imperative not to only know thyself, but also know how thyself is viewed by others. Hawkeye 3, knows itself and how it comes off to its readers, and that makes it a smart, funny, and interesting read.
Today, Ryan M. and Taylor are discussing Hawkeye 1, originally released December 14th, 2016. As always, this article contains SPOILERS.
Ryan M.: Los Angeles is a mainstay of detective fiction. There is something about the contrast between the sunshine and the darkness within the worst of humanity. Modern noir is rife with the stories of private investigators getting entangled in what starts as a simple case but turns into a much bigger problem, all the while surrounded by the superficial beauty of the city. In Hawkeye 1, Kelly Thompson and Leonardo Romero not only establish the series’ specific version of Los Angeles but also give us a spin on Kate Bishop that feels fresh, while still acknowledging her history.
Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released March 23rd, 2015.
Taylor: Growing up, we have total faith in our parents. Not only do they know everything, but most of the time they are viewed as paragons of virtue, morality, and justice. Basically, to the small child, parents are knowable because they represent the perfect person. As we get older, however, we learn that our parents aren’t always these things. This leads us to wonder what else we don’t know about mothers and fathers and ultimately, one day, we have the realization we don’t know exactly who they are because we no longer hold them in such high esteem. It’s a tough lesson to learn, made all the more so when you learn your parent might be a criminal. All-New Hawkeye 5 explores the issue of figuring out who parents are and in doing so also makes a statement finding your own identity. Continue reading →
Today, Taylor and Spencer are discussing All-New Hawkeye 5, originally released September 16th , 2015.
Taylor: Often times I wonder what my life would be like had I made an important choice, differently. When I try to make this abstract thought game more concrete, I think about the decision I made of where to go to college. My life would be incomparably changed if I had attended a different university. Different friends, maybe a different major, and most likely living in a different city for the past eight years of my life. Hawkeye 5 at first has us thinking big choices never affect the totality of our lives, but as events unfold, it becomes clear a single choice can affect your life greatly.
Today, Drew and Courtney are discussing Hawkeye 22, originally released July 15th, 2015.
Drew: Endings are hard. Whether they break our hearts or leave us wanting more, even the most satisfying ending must face the bittersweet truth of being the end. “The End” takes on a peculiar meaning in the world of month-to-month comics (especially where the next volume may already be a fewissues in), but whatever we’re saying goodbye to — whether its a paradigm or a creative team — can still have an almost hallowed air of significance. This makes talking about comic book endings in a issue-by-issue format particularly difficult, as its tempting to use the final issue as a platform for talking about the series as a whole. I absolutely want to talk about Matt Fraction’s Hawkeye run as a whole, but I want to first give issue 22 its due respect as perhaps the perfect distillation of what made his run so remarkable. Continue reading →