by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Last week I had the pleasure of attending Friday’s Image Comics spotlight panel at New York Comic Con. The panel was a chance for about seven or eight creators to talk about their new or upcoming series, and while every creator there had an excellent pitch (and I want to read all their books), it was Daniel Warren Johnson who seemed to win the crowd fastest, with just two words: “Murder Falcon.” Murder Falcon has the kind of wonderfully insane concept — metalhead’s guitar playing allows him to fight monsters via an absolutely ripped bird named Murder Falcon — that just screams for attention, but for a book to keep readers, it needs more than just an audacious premise. Thankfully, Johnson is well aware of this, and thus Murder Falcon 1 finds the heart beneath all the (wonderful) silliness, and highlights the real emotional power of its premise. Continue reading