This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The classic horror movie icons of yore served as metaphors — fractured mirrors of what we could become if we let go of those virtues that make us inherently human. While The Hulk is definitely an imperfect hero made in the Marvel fashion, he probably has more in common with the likes of Frankenstein’s monster or The Wolfman. Al Ewing recognizes this and has made it a focal point of Immortal Hulk. Continue reading →
Patrick: Secret Wars isn’t something that’s happening to the Marvel Universe. Secret Wars is the result of specific planning and action from an entire team of editors, publishers, writers and artists. It exists by sheer force of will and accomplishment, about as intentional of a thing as can happen in comics. Loki: Agent of Asgard 14, bearing the “Last Days of” banner, explores the idea of the agency of the storyteller, even if that storyteller happens to be a character from within the story. Continue reading →
Today, Spencer and Patrick are discussing Loki: Agent of Asgard 12, originally released March 18th, 2015.
“It’s not who you are underneath, but what you do that defines you.”
Rachel Dawes, Batman Begins
Spencer: If there’s one character who’s taken these words to heart even more than Batman, it’s Loki. From its very first issue, Loki: Agent of Asgard has been about Loki attempting to change his destiny by erasing the sins of his past and replacing them with noble missions. If nobody could remember his crimes, then surely that would make him a good person, right? On that same wavelength, King Loki poses a threat because his actions threaten to trap his young counterpart in the role of “villain” for all of eternity. It’s this idea of a narrative defining a character, established over 12 issues, that makes King Loki’s big twist hit so hard: actions mean nothing. Loki is Loki, and nothing can change that. Continue reading →
Today, Spencer and Taylor are discussing Loki: Agent of Asgard 11, originally released February 18th, 2015.
Spencer: When reading a new book, it’s easy to feel like the story is malleable. Sure, we know the ending has already been written, and, in fact, is already printed on the upcoming pages, but until we’ve actually read those pages, there’s always a feeling of freedom, like maybe, if we wish hard enough, we can push the story in the direction we want it to go. Once we’ve finished the book, though, that feeling goes away; the ending was always concrete, but now that we’ve seen it with our own eyes, the idea that maybe we can influence its outcome essentially vanishes. Al Ewing and Lee Garbett make that idea literal in Loki: Agent of Asgard 11. The series has always been about Loki’s attempt to reform, but the arrival of his evil future self — “King Loki” — essentially makes that impossible. If King Loki represents the end of Loki’s story, as plain is if it’s written on the page, then what chance could Loki possibly have to escape that fate? Continue reading →
Today, Spencer and Drew are discussing Loki: Agent of Asgard 10, originally released January 21st, 2015.
Spencer: “I’m sorry” is an incredibly powerful and versatile statement, capable of mending anything from minor transgressions to grand betrayals if used properly, but it’s not a cure-all. The wronged party has no obligation to accept an apology, and there are some rare occasions when an apology alone just isn’t enough — and sometimes an apology can even be selfish, such as if the guilty party apologizes simply to ease their own conscience rather than to make it up to their victim. In his long, infamous career Loki has tried out every kind of apology possible, and Al Ewing and Lee Garbett’s Loki: Agent of Asgard 10 finds the God of Mischief at his most sincere, but also apologizing for what might truly be an unforgivable offense. Has Loki used up the last of his goodwill? Does he even deserve to be forgiven? Continue reading →