Today, Drew and Spencer are discussing The Amazing Spider-Man 28, originally released July 7th, 2017. As always, this article containersSPOILERS.
Drew: When we’re frustrated with superhero comics, we’ll sometimes blame the serialized format for robbing endings of any tension (or even mocking the very idea of “endings”) — as much as a given comic may try to convince you of the danger its hero is in, we all know they’ll be back to fight again next month. And actually, genre conventions are much more prescriptive than that, generally insisting that the villain also live to fight again (though maybe not until the hero has cycled through the rest of their rogues gallery). I added the caveat of “when we’re frustrated,” because I ultimately don’t think anyone’s assessment of a story comes down to how rote certain genre conventions are — predictable stories can be great, and unpredictable ones can be terrible — just that we might misidentify (or overemphasize) “predictability” as the reason for disliking a given story. Writer Dan Slott may be most famous for throwing those presumptions out the window, but Amazing Spider-Man 28 reveals just how adept he is at making even the most familiar genre conventions feel exciting. Continue reading →
Today, Taylor and Mark are discussing Star Wars 31, originally released May 17th, 2017. As always, this article contains SPOILERS.
Taylor: The movie Crimson Peak, directed by the well-known and visually gifted Guillermo del Toro, received lukewarm reviews when it first came out. Its lackluster reception is understandable because the movie never truly reaches the heights of horror everyone was expecting it too. That, paired with a story that never truly paid off, doomed it to mediocrity. However, the movie does look impressive, and it nails the pace of a true Gothic horror story quite well, making it all the more disappointing that it didn’t pan out in the end — del Toro had the hard part complete already. Setting a pace for a Gothic story is difficult because it requires a delicate control to the narrative forward, almost at an achingly slow pace to build tension. If only del Toro had paired with Jason Aaron on writing Star Wars 31, we might have the perfect Gothic inspired issue.
Today, Michael and Taylor are discussing Star Wars: The Screaming Citadel 1, originally released May 10th, 2017. As always, this article contains SPOILERS.
Michael:Star Wars: The Screaming Citadel 1 kicks off Marvel’s latest Star Wars crossover starring Luke Skywalker and Doctor Aphra. The extra-long one-shot issue has an ominous ending that definitely earns its horror genre-inspired title. In short, Kieron Gillen and Marco Checchetto seem to be prepping us for what could arguably be called “The Star Wars Vampire Diaries.” Maybe not — I’ve never watched that show — but it has vampires in it, right?
Patrick: Secret Wars isn’t something that’s happening to the Marvel Universe. Secret Wars is the result of specific planning and action from an entire team of editors, publishers, writers and artists. It exists by sheer force of will and accomplishment, about as intentional of a thing as can happen in comics. Loki: Agent of Asgard 14, bearing the “Last Days of” banner, explores the idea of the agency of the storyteller, even if that storyteller happens to be a character from within the story. Continue reading →