All-New Wolverine 35: Discussion

by Spencer Irwin and Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: I think I may have missed the mark a bit when discussing last month’s installment of All-New Wolverine. I claimed that “Old Woman Laura” was a story about redeeming Bellona and defeating Doctor Doom, the last tyrant left in a world that’s otherwise an utopia, but Tom Taylor and Ramon Rosanas have proven me wrong in All-New Wolverine 35, the series’ finale. Those are a part of this adventure, to be sure, but only a small part. What this story is about — what it’s always been about — is giving Laura Kinney the happy ending she deserves.  Continue reading

All-New Wolverine 30: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Tom Taylor continues to write one of the best Wolverine books that is actually pretty un-Wolverine-ish. Wolveriney? Wolverinian? What I mean to say is that for a character who is best known for being a bloodthirsty stab machine, this Wolverine is almost the opposite. To be clear, Logan was/is much more than a barbaric beast. But in Laura Kinney, Tom Taylor has crafted a Wolverine who is wise, humble and (mostly) peaceful. Like Logan, Laura is full of guilt over the violent life that she was born into. But in All-New Wolverine 30, Laura takes that guilt and transforms it into repentance. Continue reading

Loki: Agent of Asgard 10

loki 10

Today, Spencer and Drew are discussing Loki: Agent of Asgard 10, originally released January 21st, 2015. 

slim-bannerSpencer: “I’m sorry” is an incredibly powerful and versatile statement, capable of mending anything from minor transgressions to grand betrayals if used properly, but it’s not a cure-all. The wronged party has no obligation to accept an apology, and there are some rare occasions when an apology alone just isn’t enough — and sometimes an apology can even be selfish, such as if the guilty party apologizes simply to ease their own conscience rather than to make it up to their victim. In his long, infamous career Loki has tried out every kind of apology possible, and Al Ewing and Lee Garbett’s Loki: Agent of Asgard 10 finds the God of Mischief at his most sincere, but also apologizing for what might truly be an unforgivable offense. Has Loki used up the last of his goodwill? Does he even deserve to be forgiven? Continue reading

Loki: Agent of Asgard 4

loki 4

Today, Patrick and Suzanne are discussing Loki: Agent of Asgard 4, originally released May 7th, 2014. 

slim-bannerPatrick: This issue borrows its title from one of our favorite / least favorite entries from TV Tropes. The trope is known as “Let’s You and Him Fight” and refers to the all-too-common occurrence in superhero comics that forces heroes to fight each other. Presumably, this stems from our desire to see our hypothetical “who would win in a fight?” conversations played out on the page. But it’s not like we ever really get an answer to that question — those hero-fights always end in ties — and the brawl is just prelude to a team-up. We may be watching Batman vs. Superman in 2015, but they’ll be chumming it up in Justice League of America in 2016. This is Loki we’re talking about here, so it’s not quite so simple. Take a look at that title again: it’s “Lets You and Him Fight,” conspicuously leaving the apostrophe out of “Let’s.” (Someday, I won’t care about the absence of apostrophes in titles, but that’ll have to be next week.) Al Ewing takes our understanding and expectations of this trope and subverts them by applying a handful of others, creating a truly innovative piece of fiction made up of all old pieces. Continue reading

Loki: Agent of Asgard 3

loki 3Today, Patrick and Shelby are discussing Loki: Agent of Asgard 3, originally released April 2, 2014. 

slim-bannerPatrick: I remember seeing a featurette on Kill Bill, Vol. 1 in anticipation of Vol. 2. In it, Quentin Tarantino mentioned a few of the storytelling accomplishments of the first movie. For the most part, Vol. 1 is an emotionally satisfying episode in and of itself: an emotionally and physically devastated woman finds the means, the will and strength to fight back. But Tarantino points out the importance of establishing the mythology of a Hattori Hanzo sword. By the time the second flick rolls around, they’re legendary, and their legacy adds an almost supernatural element to the fight between The Bride and Elle. I mean, it’s Hanzo Sword vs. Hanzo Sword for crying out loud! The thing is, the only way to communicate how powerful these blades are is to tell us stories about them. Al Ewing continues to explore the power of myth by having his antagonist craft his own mythical sword, not by forging the blade, but by forging the story of the blade. Continue reading

Loki: Agent of Asgard 2

loki 2Today, Scott and Spencer are discussing Loki: Agent of Asgard 2, originally released March 5, 2014. 

slim-bannerScott: The world is built on lies. I don’t think it’s a stretch to say that anyone who’s achieved great success wouldn’t have gotten there without at least a little bit of dishonesty. We’re encouraged to lie on our resumes. It’s practically a requirement during job interviews. Can you imagine if politicians couldn’t make any false promises while campaigning? They wouldn’t be able to say anything. And it’s not always such a bad thing. We lie to be polite. We tell our waiters that everything tastes great even though we’ve only taken one bite. They smile and life goes on. It’s harmless. In Loki: Agent of Asgard 2, writer Al Ewing and artist Lee Garbett point out just how common lying really is. It may not be possibly for two people to converse for ten minutes without one of them lying. Now what if Loki, the God of Mischief, is put in a situation where he can’t lie? The outcome might surprise you…

Continue reading