Teenage Mutant Ninja Turtles Microseries 8: Shredder

Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles Microseries 8: Shredder, originally released December 4th, 2013. Taylor: For many things, the magic is in the mystery. Not knowing how a magician sawed that lady in half makes the trick something more than it really is. We all know that the magician isn’t actually cutting a living person in two and putting them back together again. However, we don’t know exactly how they created that illusion and are left to wonder how exactly the trick (or illusion) was pulled off.  This blurs the line between reality and perception and lets the imagination fill in the gaps. Anything is possible in this space and therein lies the beauty of a magic show. Just so, the circumstances surrounding Oroku Saki’s death and rebirth have, up to this point, been shrouded in mystery. It’s been fun speculating just how the turtle’s age old enemy has defied death, but in Teenage Mutant Ninja Turtles Microseries 8: Shredder, we get some definite answers. With the illusion of his rebirth dispelled, it seems that the TMNT universe has lost a little magic of its own.

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Teenage Mutant Ninja Turtles Microseries 8: Fugitoid

Today, Drew and Patrick are discussing Teenage Mutant Ninja Turtles Microseries 8: Fugitoid, originally released September 5th, 2012. 

Drew: Creating compelling characters is hard. Simply conceiving of multi-dimensional, realistic, sympathetic characters is hard enough — driving many writers to make extensive biographical sketches before even attempting to include them in a story — but it’s even more complicated when you want to integrate those characters and their unique motives and traits into your world. For most narratives, the basics of characterization can be handled up-front, as the major players are introduced, but for ongoing serial narratives, introducing new characters often requires clunky exposition that slows the momentum of the story. With the Teenage Mutant Ninja Turtles microseries, Editor Bobby Curnow and crew have realized a clever work-around, offering a space to explore the motives of the characters without taking time away from the propulsive narrative going on in the main series. It’s a brilliant idea, and Fugitoid is an excellent proof-of-concept. Continue reading