Today, Patrick and Taylor Drew are discussing Teenage Mutant Ninja Turtles Deviations 1, originally released March 30th, 2015.
Patrick: Iterating on mythology is common practice for the Teenage Mutant Ninja Turtles team. You could even argue that iteration and exploration of the franchise’s mythology is not only something that IDW does incredibly, but is the whole point of the series. There are so many fan favorite characters, stories, locations and details taken from decades of comics, TV shows, movies, video games and action figures, all melded into one gracefully grotesque whole. So what happens when the team iterates on itself, looping back to re-examine a pivotal moment in their own history through a “what if” lens? The result is an insightful look at our heroes, but perhaps more importantly, it shows us just how delicately balanced all that mythology has been over the past five years. Continue reading →
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles 56, originally released March 23rd, 2015.
Patrick: I love the first two-thirds of most horror movies. That’s where the filmmakers have to establish an honest sense of both danger and mystery. That’ll all presumably pay-off in the final act, but it’s sort of remarkable how much more engaging the set up has to be than the pay off. Honestly, by the time a horror flick gets to that pay-off, you’re lucky if the characters do anything more than scream, run and die. So that tension must be expertly wound in order to make that climax mean anything. If you were to watch it in isolation, that scene of Ripley strapping herself in to blow the Alien out the airlock can be slow and almost drama-less. But after two hours of steadily unspooled threats and a growing list of unnerving questions, the scene is masterpiece of suspense. Teenage Mutant Ninja Turtles 56 finds our storytellers quietly gathering those questions, slowly bringing its internal mystery to a fever pitch. Continue reading →
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles 50, originally released October 10th, 2015.
Taylor: They say that time heals all wounds. Everyone knows that this saying has both a literal and metaphorical meaning. For only time can take the sting away from hurt feelings and only time can mend a broken body. However, time also causes things to fester and decay. Eventually, time kills or destroys all. While the truth of these statements can’t be denied, I think whether a person views time as a destroyer or a healer says a lot about their viewpoint on the world. In Teenage Mutant Ninja Turtles 50, a clash of these two viewpoints takes place, and the head-to-head encounter leaves one dead and the other walking into new territory. The result is an issue focused on the past, the future, and the passage of time.
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles 49, originally released August 19th, 2015.
“Let’s get ready to rumble!”
-Michael Buffer, Ring Announcer
Patrick: Michael Buffer started using his signature phrase in 1984. It’s short, it’s sweet, and belted out in Buffer’s distinct tenor, it can bring a crowd to their feet. The dude trademarked the phrase in 1992, and since then, he’s gotten paid for every single time it’s used. It’s estimated that the phrase is worth $400 million – that’s $80,000,000 per word. Why should a single sentence — no matter how powerful — ever be worth that kind of money? Because the pageantry involved in the pre-fight ritual ends up being more important that the fight itself. Hype is an art form. No one calls out “let’s get ready to rumble!” in Teenage Mutant Ninja Turtles 49, but the issue is so singularly obsessed with hyping one specific rumble that it’d be easy to forgive the creative team for invoking Buffer’s cash cow. And even though they haven’t: I’m ready.
Today, Taylor and Spencer are discussing Teenage Mutant Ninja Turtles 48, originally released July 29th, 2015.
Taylor: Time is hard concept to understand. On the one hand, it’s totally an invention of humankind and wouldn’t exist without us. On the other hand, it does seem like things more or less move temporally in some fashion independent of human thought. That’s basically the second law of thermodynamics. The point is, time is a complicated concept. It should be no surprise then that time can be difficult to illustrate in comics. It’s such an abstract concept that it’s not always easy to show readers. However, one of the things comic book artists are experts at is showing the movement of time in and between panels. In Teenage Mutant Ninja Turtles 48, artist Cory Smith puts on a clinic on how to show the passage of time. Subsequently, this issue is beautiful to read.
Today, Taylor and Spencer are discussing Teenage Mutant Ninja Turtles 46, originally released May 28th, 2015.
Taylor: Long form storytelling is all the rage right now. Aside from the occasional sitcom, it’s rare to find a medium where long, syndicated story telling isn’t the norm. While TV shows are a prime example of this trend, podcasts, novels, and even movies are now using multiple installments to tell a grand story. The neat thing about this is that it allows writers and artists to craft a complex story with complex characters that would go unexplored in a shorter format. Teenage Mutant Ninja Turtles, now in its 46th issue, certainly qualifies as a long story and while that may no longer be unique in today’s world, what does stand out about it is just how expertly crafted this grand narrative has been put together. Continue reading →
Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 45, originally released April 29th, 2015.
Taylor: Teaching figurative language to my students is always a fun task. Middle schoolers are some of the weirdest people you’ll ever meet and thereby one shouldn’t be surprised by how weird their similes, metaphors, and alliterations become. They almost seem to have a knack for such connecting ideas that feels completely random. This randomness, however, doesn’t serve them well when they try to figure out the meaning of an idiom, or turn of phrase. For example, they would have no idea how to figure out what the term “one-trick pony” means. It’s not that they’re dumb, they just don’t have the experience and knowledge to draw that sort of conclusion yet. So, if I were to describe to them that TMNT tries to make a one-trick pony perform a second trick and fails, they wouldn’t get it. Sadly, that doesn’t mean it’s not true. Continue reading →
Today, Patrick and Taylor are discussing Teenage Mutant Ninja Turtles: Utrom Empire 1, originally released January 22nd, 2014.
Patrick: Leadership is the damnedest thing. Unless the people you’re leading believe or value the same things you value, everything falls apart. Hearts and minds, right? Without ideological unity, imperialism fails. These are the kinds of thoughts that didn’t bother 9 year old Patrick — nor should they have — so I never considered the tenuous position Krang finds himself in constantly: fighting for an empire that no one even seems to give a shit about. In Paul Allor and Andy Kuhn’s Utrom Empire, Krang’s authority is tested at every turn, and the abstract concept of the “Utrom Empire” starts to take the mythical shape of a force bigger than any one character’s ambition. It’s about fear, it’s about power, it’s about survival. Continue reading →
Today, Patrick and (guest writer) Mogo are discussing Teenage Mutant Ninja Turtles 20, originally released March 20th, 2013.
Patrick: I’m a realist. I believe in that which we can observe and measure and quantify. I don’t like the term ‘atheist’ because it defines my beliefs in terms of what I don’t believe (i.e., God). But I also don’t like the term ‘skeptic’ because it implies that there’s some force of will out there in the universe trying to convince me that one reality is true, but I’m just to wily to fall for its tricks. Fiction has a habit of shitting on skeptics – the instant you meet the non-religious scientist in a movie that says “… but that’d be impossible,” you know that whatever he just said is SO TOTALLY GOING TO HAPPEN. God, ghosts, magic, you name it – they all end up being real in the third act (unless you’re talking Scooby-Doo, then all bets are off). Donatello has served as this voice of skeptic dissent throughout IDW’s run of Teenage Mutant Ninja Turtles. While reincarnation makes for an interesting story about turtle ninjas, I never liked that Donny’s doubt would have to be somehow wrong-headed. Amid all the bombast of climactic interdimensional warfare, Donny gets an answer that is astonishingly satisfying, both to him and to me.
Today, Drew and Taylor are discussing Teenage Mutant Ninja Turtles 19, originally released February 20th, 2013.
Drew: One of the things we love about fiction is the opportunity it affords us to live vicariously through its heroes. This is a feeling familiar to anyone who’s walked out of a movie theater feeling like they could fly, or at least swing from some vines. That’s all well and good when you’re being introduced to these characters for the first time, but that’s decidedly not the situation Teenage Mutant Ninja Turtles finds itself in. A comic written by and for people who grew up playing with Turtle action figures, wearing Turtle pajamas, and chewing (and accidentally swallowing) Turtle bubble gum has the potential to cash in on those connections in fascinating ways, amping up that sense of vicariousness to euphoric levels. Be it repairing a futuristic robot, piloting an alien tank, or more traditional ninja action, issue 19 finds the Turtles living out all of their (and by extension, our) wildest dreams. Continue reading →