Today, Michael and Patrick are discussing Batman 18, originally released March 1st, 2017. As always, this article contains SPOILERS.
Patrick: Two weeks ago, Drew made a pretty convincing argument that Tom King’s Batman is attempting to synthesize all canonic and non-canonic versions of Batman. References to both Arkham Asylum: A Serious House on A Serious Earth and Christopher Nolan’s Dark Knight trilogy seemed to suggest that all of the Batman franchise’s greatest hits were implicitly in play, even during the main-continuity run in DC’s flagship series. With all of those connections freshly in-place, Batman 18 starts to negate some of the commonly held beliefs about the character, hinging almost all of the real-time drama of the piece around Batman’s simple utterance of the word “No.” Continue reading →
Today, Michael and Patrick are discussing Batman 16, originally released February 1, 2017. As always, this article contains SPOILERS.
Michael: Now THAT’S what I’m talking about! I’ll admit to being a little lukewarm in my reception of the initial arcs of Tom King’s Batman run but I’d say that “I Am Bane” is off to a great start. Maybe it’s because I’m always rooting for a quality Bane story or maybe it’s because I love seeing the Robin club acting like a smarmy group of brothers. Either way it feels good to be excited about what direction Batman is headed in once again. Continue reading →
Today, Michael and Patrick are discussing Batman 12, originally released December 7th, 2016. As always, this article contains SPOILERS.
Michael: The murders of Thomas and Martha Wayne: imagery that has probably become as iconic as the crucifixion of Jesus Christ. We’ve seen these two lovely rich folk get shot up so many times in various Batman stories that they have negative lives racked up. How many times can we go back to that well and find something of value? Batman 12 doesn’t replay those deaths yet again but it does try to draw new perspective from them — but does it work?Continue reading →
Today, Spencer and Mark are discussing Batman 10, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Spencer: Most writers have certain tics and styles that come to define their work: Brian Michael Bendis, for example, is famous (infamous?) for his unique style of dialogue and pacing. Tom King has made quite a name for himself over the past two years with his critically acclaimed titles (such as Omega Men, The Vision, and Sheriff of Babylon), all of which, as different as they are, share many of the same themes, tones, and idiosyncrasies. King’s run on Batman was never meant to be part of that “Trilogy of Best Intentions,” but it’s still strange to me that Batman 10 is his first issue that really feels like a Tom King comic. Unfortunately, that’s not always a good thing — turns out that King’s techniques without his usual depth of story can sometimes end up feeling more like a parody of a Tom King comic. Continue reading →