Relishing the Details in Outcast 33

by Drew Baumgartner

Outcast 30

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of the most distinctive stylistic choices of Outcast has always been its use of small insert shots, inset into larger panels. Early in the series, those inserts were largely used to capture small scene details and gestures, but as the cast has grown, they’ve increasingly focused on faces, offering us the emotional state of several characters at a glance — especially those who might not be actively participating in the action/conversation of the scene. We might understand that as reflective of Kyle’s own shift in priorities, focusing less on the textural trappings of his life and more on the people he loves, but the effect is a series that now has an audience surrogate on virtually every page, reflecting our own shock and horror back at us. Continue reading

Outcast 32 Gets Procedural

by Drew Baumgartner

Outcast 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The storytelling of Outcast has always been incremental. Problems are slowly introduced, relationships slowly change, and the series slowly develops over dozens of issues. It’s a storytelling mode that will be familiar to anyone who’s read any of Robert Kirman’s other 100-issue-plus series, but in Outcast, that deliberate pacing is combined with perspectives on both sides of the war between light and dark, lending the series a procedural element that I would argue is unique in Kirman’s oeuvre. Those procedural elements come to the fore in issue 32, as both sides adjust to their new normals. Continue reading