Spencer: I’m pretty sure Spider-Man is the reason I’ve become sick and tired of origin stories; two different Spider-Man movies retelling the 3rd most famous origin in all of comics within the same decade is enough to turn anyone off origins. Robbie Thompson and Nick Bradshaw’s Spidey is smart enough to cut that origin down to a single page and move onto more interesting things, but it’s still caught up in one of the greatest issues plaguing all retellings and reboots; this is just a story I’ve seen a million times before. Continue reading
Spencer: If you’re reading a Spider-Man book, then you know his deal: “With great power must also come great responsibility.” For Peter Parker, his “power” has always been the superhuman abilities granted him by a bite from a radioactive spider, but are these abilities truly his greatest asset? It’s a question Dan Slott and Giuseppe Camuncoli tackle head-on in the newest Amazing Spider-Man 1. Skipping ahead eight months from the conclusion of Secret Wars, Slott and Camuncoli present us with a version of Peter Parker who’s found a way to honor his Uncle Ben without even needing to put on a mask; in fact, Spider-Man now exists mainly to protect and support Peter. It’s a take both radical and faithful in a way only Dan Slott could pull off. Continue reading
Today, Spencer and Drew are discussing The Amazing Spider-Man 18, originally released May 6th, 2015.
Love fades. But things? Things last forever.
Tom Haverford, Parks and Recreation
Spencer: We live in a materialistic society that oftentimes tries to convince consumers that the key to happiness and success is simply owning a lot of stuff (thanks a lot for that, Don Draper). For these Tom Haverfords, their entire identity is wrapped up in their possessions, but even those who reject consumerism have to rely on their possessions to provide sustenance, clothing, and shelter. Yes, “things” are important to everyone, even if it’s in drastically different ways. Dan Slott, Christos Gage, and Humberto Ramos’ The Amazing Spider-Man 18 pins both its stories on the power inanimate objects hold on their owners, and just as we’ve discussed, Parker Industries means something far different to its employees than Black Cat’s vast collection of stolen goods means to her. Continue reading
Today, Drew and Patrick are discussing The Amazing Spider-Man 17, originally released April 1st, 2015.
O, I am fortune’s fool!
William Shakespeare, Romeo and Juliet
Drew: Of all the heroes in Marvel’s pantheon, Peter Parker might be the most defined by his passivity. I don’t mean to say that he never takes decisive action, just that it’s almost always reactionary. Heck, he doesn’t even play a key role in his own origin — the spider bites him, then Peter lets the robber get away instead of doing something. This manifests itself in his perpetual bad luck, that is, outside forces that always make his life harder. It makes for great drama, but after a while, it also starts to paint Peter as kind of incompetent. Why is he always stammering for a cover story? Why is he always facing off against the same bad guys? Why is he always running out of web-fluid? The smartest part about The Superior Spider-Man was pointing out these obvious areas for improvement, shaking up the formula of Spider-Man as we know him. It was an exciting development, but Peter’s return to his body was also a return to form, failing to capitalize on many of Otto’s inarguably superior developments. Amazing Spider-Man 17 finds Peter coming up against some of those age-old problems, but this time, Anna Maria doesn’t have the patience to watch him keep bumbling through them. Continue reading