Peter Gets a New Set of Great Responsibilities in The Amazing Spider-Man 791

by Drew Baumgartner

Amazing Spider-Man 791

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“With great power must also come great responsibility.” Every Spider-Man fan knows these words as well as Peter Parker himself, so you’d think we’d have a good handle on what it means. And we do, to some degree — Peter’s superhuman powers demand that he take on superhuman responsibilities — but much of the tension comes from how all that superheroing clashes with the other responsibilities in his life. Writer Dan Slott has always kept that aspect of Spider-Man in mind, giving Peter more personal and professional responsibilities than he can really keep track of. It’s a juggling act we’re all familiar with in our own lives, and Amazing Spider-Man 791 finds Slott adding one more that clearly means a lot to him: publishing deadlines. Continue reading

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Peter Continues to Grow, Even as He Regresses, in The Amazing Spider-Man 790

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If internet reaction is to be believed (spoiler alert: it’s often not), making Peter Parker the CEO of his own company was not a popular direction for the character. I’ve seen complaints that the stories just “didn’t feel like Spider-Man,” but I’ve never agreed with that — those adventures were writer Dan Slott pulling off what so many creators try and fail to do, respecting the core of a character (“with great power must also come great responsibility”) while finding new ways to express and progress those intrinsic traits. My biggest fear about “Legacy” and the death of Parker Industries has been that Peter would regress, and while he does seem to be taking a few steps backwards as he deals with the loss of his company, in Amazing Spider-Man 790 Slott and Stuart Immonen show that they’re still interested in moving Peter’s story forward and finding ways for him to grow as a person. Continue reading

Parker Luck Returns in The Amazing Spider-Man 789

by Drew Baumgartner

Amazing Spider-Man 789

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Here’s a question: What would you say is the platonic public perception of Spider-Man in the Marvel Universe? Never mind the exceptional circumstances of specific story arcs, do we imagine in general that the public sees Spider-Man as a hero, or do we think J. Jonah Jameson’s one-man crusade against him has influenced public opinion? I suppose I’ve always seen him as misunderstood by the general public, but his interactions with individual New Yorkers always seemed positive — there’s not a whole lot of ambiguity when you see him rescuing babies from burning buildings. Maybe it speaks to just how street-level Spider-Man has traditionally been that his sphere of personal influence would be small, but it sure seems like the citizens of Spider-Man’s New York are on the whole easily swayed by the media they consume. That’s probably an evergreen theme, but it’s one that feels particularly relevant in our modern political climate, and one that comes back in a decidedly unexpected way in Amazing Spider-Man 789. Continue reading

The Amazing Spider-Man 28

Alternating Currents: Amazing Spider-Man 28, Drew and Spencer

Today, Drew and Spencer are discussing The Amazing Spider-Man 28, originally released July 7th, 2017. As always, this article containers SPOILERS.

Drew: When we’re frustrated with superhero comics, we’ll sometimes blame the serialized format for robbing endings of any tension (or even mocking the very idea of “endings”) — as much as a given comic may try to convince you of the danger its hero is in, we all know they’ll be back to fight again next month. And actually, genre conventions are much more prescriptive than that, generally insisting that the villain also live to fight again (though maybe not until the hero has cycled through the rest of their rogues gallery). I added the caveat of “when we’re frustrated,” because I ultimately don’t think anyone’s assessment of a story comes down to how rote certain genre conventions are — predictable stories can be great, and unpredictable ones can be terrible — just that we might misidentify (or overemphasize) “predictability” as the reason for disliking a given story. Writer Dan Slott may be most famous for throwing those presumptions out the window, but Amazing Spider-Man 28 reveals just how adept he is at making even the most familiar genre conventions feel exciting. Continue reading

The Amazing Spider-Man 25

Today, Spencer and Patrick are discussing The Amazing Spider-Man 25, originally released March 15th, 2017. As always, this article containers SPOILERS.

Spencer: As Aunt May herself points out this week, Peter Parker’s always been a busy guy. Add running a major international company to his already impressive pile of responsibilities and it’s almost guaranteed that something will start to give. The massive Amazing Spider-Man 25 digs into that dilemma from all angles, reminding readers of every task Peter’s got on his plate and what’s at risk if he fails at any one of them. It’s an almost overwhelming issue, a trait that effectively puts readers in Peter’s overstressed shoes. Continue reading

Spidey 1

spidey 1Today, Spencer and Drew are discussing Spidey 1, originally released October 2nd, 2015.

Spencer: I’m pretty sure Spider-Man is the reason I’ve become sick and tired of origin stories; two different Spider-Man movies retelling the 3rd most famous origin in all of comics within the same decade is enough to turn anyone off origins. Robbie Thompson and Nick Bradshaw’s Spidey is smart enough to cut that origin down to a single page and move onto more interesting things, but it’s still caught up in one of the greatest issues plaguing all retellings and reboots; this is just a story I’ve seen a million times before. Continue reading

Chat Cave: Amazing Spider-Man 2

Editor’s Note: Sorry this is coming out so late, gang!

Following only five years after the conclusion of Sam Raimi’s Spider-Man films, the first Amazing Spider-Man struggled to justify its own existence. Amazing Spider-Man 2 suffers from a different proximity effect garnering early comparisons to the similarly overstuffed and tonally inconsistent Spider-Man 3. Are those comparisons fair? You can bet we have thoughts on that. Welcome to the Chat Cave.
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The Superior Spider-Man 15

superior spider-man 15Today, Spencer and Ethan are discussing The Superior Spider-Man 15, originally released August 7th, 2013.

Spencer: A comic book needs more than just a good hero to work; it needs a supporting cast, it needs villains, it needs a world that feels alive and fleshed out. While super-hero comics exist in a shared universe, the best titles manage to carve a little niche out of that universe for themselves to thrive in, and there are few books on the shelf right now that do it better than The Superior Spider-Man. Otto takes a backseat in this month’s issue as Phil Urich—A.K.A. the Hobgoblin—moves into the spotlight, accompanied by a hoard of heroes and villains alike who want to see him taken down. It’s a blast.

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