by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
I think it’s fair to say that Coda is set in a particularly fantastical world. Beyond the trappings of magical beings and beasts, the characters themselves recognize that they’re in a kind of mythical world that almost fetishizes heroic virtues of bravery and self-sacrifice. Which makes the cowardly pragmatism of our protagonist a distinguishing characteristic. He’s not an idealist willing to die in the battle against evil — he’s just a guy who wants to settle down for a quiet life with his wife somewhere. In pulling away from heroism, Hum forces us to reexamine the assumptions we have about what it means to be a hero, and what it means to not be one. It’s a subject Simon Spurrier and Matías Bergara have been playing with since the first issue, but one that comes to the fore in issue 6, as Hum argues his position with Serka. Continue reading