Michael: After 20 issues Charles Soule and Ron Garney finally give us the backstory of how Daredevil’s secret identity once again became a secret. I’m not sure what I was expecting, but I’m very impressed with how they pulled it off. If the controversial Spider-Man arc “One More Day” is how not to accomplish an identity retcon, then Daredevil’s “Purple” might be the complete opposite. Continue reading
Greg: I went and saw a movie last week against my better judgment. That movie was the clunkily titled Frank Miller’s Sin City: A Dame To Kill For, a comic-book adaptation and sequel to the excellent 2005 adaptation of Miller’s hard-boiled neo-noir stories. My roommate, who shares my love of this first one, warned me it was terrible. Rotten Tomatoes warned me it was terrible. I didn’t listen. I went and saw it, and boy, terrible doesn’t scratch the surface. It’s a miserable piece of garbage. I could spend hours rage-explaining (ragesplaining?) what is so fundamentally wrong with this dreck, but one criticism stands head and shoulders above the rest: The stylistic tics and techniques are arbitrary, meaningless, and add nothing to the story. Conversely, any play with form in Mark Waid and Chris Samnee’s outstandingly excellent Daredevil 8 are part and parcel of an intense, dark, and captivating story.