Daredevil 612: Discussion

by Patrick Ehlers and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Each of the issues in Charles Soule and Phil Noto’s “The Death of Daredevil” is named for a fear one could reasonably ascribe to Matt Murdock. “Hold on,” you might say, “isn’t Daredevil supposed to be the Man Without Fear?” Well, if that’s the case, perhaps these issue titles are more reflective of what Matt has to overcome to be the hero Daredevil. Issue 612 is titled “Apeirophoba” – a fear of infinity or infinite things. This issue confronts just how much terrifying infinity there is in both life and death, in stories that wrap up nicely, and in stories that refuse to quit. Continue reading

Daredevil 610: Discussion

by Spencer Irwin and Patrick Ehlers

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Spencer: “Why is Elektra here?” It’s a question Charles Soule and Phil Noto introduce as their cliffhanger at the end of Daredevil 609, then promptly dismiss on the very first page of Daredevil 610, never to be addressed again.

Elektra ends up being a rather minor part of the ongoing stories (both Matt’s “death” and his crusade against Mayor Fisk) even as she plays a prominent role in this single issue, appearing on all but one page. It’d be easy to chalk Elektra’s story up to Soule wanting to play with the character, an integral bit of the Daredevil mythos, a bit before bringing his run to an end, but I don’t think it’s that simple. Despite Elektra’s (non)answer, there are enough hints, inconsistencies, and strange coincidences surrounding her arrival to raise anyone’s suspicions. “Why is Elektra here?” is an answer practically begging to be answered. Continue reading

Dreams and Death Wishes in Daredevil 609

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Matt Murdock is a maniac – I love him – but he’s a maniac. As the name Daredevil implies, he often throws himself into a situation with wanton abandon. That’s not to say that he doesn’t have a strategical mind, he clearly does. But his innate “fight or flight” response comes from a place of selflessness. He wants to protect people. Continue reading

Creator vs Creation in Daredevil 608

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“I did not ask for the life I was given. But it was given nonetheless.”                                                                 Mr. Eko, LOST

No one ever asked to be born – we emerge from the womb and are saddled with struggles specific to our circumstances. In Daredevil 608, Mike Murdock emerges from the ether/Matt Murdock’s imagination and has to deal with a world that doesn’t want to acknowledge his existence. Thus, he takes some aggressive measures to make them acknowledge it. Continue reading

The Responsibility of the Witness in Daredevil 605

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Charles Soule and Mike Henderson’s Daredevil 605 begins with Wilson Fisk raising from his hospital bed to attempt to regain control of New York City. Even dressed in a hospital gown and dragging an IV pole behind him, Fisk backs Foggy into a corner. It looks like Fisk is going to get his way, but ends up collapsing to the ground — it turns out that he wasn’t well enough to exert himself so much. But he made a choice to stop letting Matt Murdock run New York City, rather that simply witnessing it from the safety of his hospital room. While the sun sets on this Wilson Fisk story after three pages, the remainder of the issue plays out that same fundamental question over and over again: what responsibility does a witness have to interfere with whatever they are witnessing? Continue reading

Who Controls the Page in Daredevil 604?

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“I’m gonna need the room.”

Father Jordan, Daredevil 604

Charles Soule and Mike Henderson’s Daredevil 604 is all about controlling space. Within the world of the story, that’s about dispersing satanic mists, or driving out swarms of ninjas. On the metatextual level, that’s about which character commands the space on the page. With the introduction of the Order of the Dragon (or Ordo Dragonum, if you’re nasty), the pages become thick with both action and potential, but it’s still on Daredevil to take control of every square inch of the city… and by extension, every inch of the page. Continue reading

Matt Murdock Holds the Puppet Strings in Daredevil 603

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Matt Murdock’s modern history is a delightful roller coaster of changing status quo: he’s been a vigilante, the kingpin of crime, a vessel of The Hand and now Mayor of New York City. In Daredevil 603 Charles Soule draws upon these experiences to highlight the fact that Matt is a master strategist and impressive leader. “The Man Without Fear” preys upon others’ fears in order to manipulate them. Continue reading

The Difference Between Mayoral Action and Superhero Action in Daredevil 602

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“New York City’s uniformed protectors are under attack by the Hand.” It’s a straightforward premise, one with both obvious drama and an obvious solution: superheroes fight the ninjas. But as of Daredevil 601, Matt Murdock is more than just a superhero; he’s also the mayor of New York. Suddenly those simple solutions don’t seem quite as simple. Charles Soule, Mike Henderson, Matt Villa and Clayton Cowles’ Daredevil 602 illustrate the difference between the streamlined drama of the superhero and the complicated drama of the mayor. Continue reading

Failure Defeated by Pure Action in Daredevil 601

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Daredevil is a punching bag. I know all superheroes suffer — conflict is the engine of story, and masked dudes with superpowers have to really be put through the ringer for a desensitized audience to feel anything. But Matt Murdock is a special case: his default state seems to be “just got beat up.” I mean, look at the cover to this issue. No one’s going to ask “oh no, is Matt gonna be okay?” Yeah, sure — he’ll be fine. He always bleeds from the face when he’s working on a plan. So part of what makes Daredevil 601 feel so unsettling is how smoothly everything goes for the Mayor Without Fear. Continue reading

Daredevil 600: Discussion

by Patrick Ehlers and Ryan Desaulniers

This article containers SPOILERS. If you have not read the issue yet, proceed at your own risk!

Patrick: Where does power come from? I’ve been seriously grappling with this one since Trump was elected to the White House, but this question obviously extends waaaay beyond that fucking monster. Does power ultimately come from money? From social connections? From one’s willingness to sacrifice their friendships? From violence? From non-violence? As the battle between Wilson Fisk and Daredevil reaches a fever pitch, questions of where either of them gets their power are posed right alongside the question of where Daredevil 600 gets its power. This is a six-hundredth issue, after all — so what makes this one special? Continue reading