Today, Patrick and Taylor are discussing Spider-Gwen 3, originally released April 1st, 2015.
Patrick: Last week, Drew and I posited that Amazing Spider-Man 17 was about Peter Parking being a bad grown-up. So much of Peter’s identity is tied up in childish — specifically teenage — tropes, that the character has very little sense of agency. He’s reactive more than active. Peter doesn’t have a plan for when he arrives three hours late to his Aunt Mae’s birthday party because he was out fighting the Green Goblin, he just yammers and stammers until he’s ostracized everyone he loves. ASM 17 saw a push away from that attitude with the help of Peter’s sorta-girl-friend-but-not-really (look, Spider-Man got complicated for a while there), but no matter how many opportunities for growth our Spider-Man has enjoyed over his 50 year history, fresh Spider-Man analogues have to start back at square one. Of course, teenage drama might look a little different with the genders reversed. Spider-Gwen 3 ends up being a frustrating exploration of navigating the tough decisions as a teenage Spider-Woman. Continue reading →
Today, Patrick and Spencer are discussing Spider-Gwen 1, originally released February 25th, 2015.
Patrick: If you had to name the most important quality for a superhero story to nail, what would it be? Action? Adventure? Humor? Relatability? Kind of depends on the character, doesn’t it? What I think ends up being most important across publishers and mediums is the story’s ability to express the fundamental nature of the character. If you’re telling a Batman story, it better be dark, grimey, and morally ambiguous. If you’re telling a Spider-Man story, it better be humorous, optimistic and dutiful. So how on earth would anyone write a Spider-Gwen story? The character barely exists beyond a small roll in the recent Spider-Verse event. Fans latched on to the character for a number of reasons (everyone misses Gwen Stacy), but the clearest virtue of the character is that she looks amazing. In lieu of a letter’s page, editor Nick Lowe thanks fans for worshiping the incredible design of Gwen’s costume, celebrating it through fan-art and cos-play. This obsession with image becomes the fundamental nature of stories in Gwen’s world, as Spider-Gwen turns the superficial into the substantial. Continue reading →
Today, Spencer and Patrick are discussing The Superior Spider-Man 13, originally released July 10th, 2013.
“What we leave behind is something we each determine, through the way we live our lives. Whether we achieve something we can be proud of, or fall short, we have only ourselves to blame.”
—The Superior Spider-Man, Otto Octavius
Spencer: From Ghost-Peter’s laments about how Otto was tarnishing his good name to Otto’s annoyance over his future inventions all being credited to Peter, legacy has been a reoccurring concern in the Superior Spider-Man since its very beginning. After the events of this issue Otto is ready to create a new legacy, free from the influence of Peter Parker, but without Peter’s guidance and memories, can he truly live up to the high moral standards of Spider-Man? Otto said it himself: if he leaves behind a legacy of failure or terror, he’s only got himself to blame.