We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Hawkeye 6, Spider-Gwen 19 and Unstoppable Wasp 5. Also, we discussed Jean Grey 1on Thursdayand will be discussing All-New Guardians of the Galaxy 1 on Monday and Secret Empire 1 and Black Bolt 1 on Tuesday, so come back for those!As always, this article contains SPOILERS.
Today, Spencer and Ryan M. are discussing Spider-Gwen 9, originally released June 15th, 2016.
Spencer: There’s little I hate more than being forced or coerced into doing something. I don’t know about any of you, but I hate that feeling so much that sometimes, even if someone is trying to force me to do something I know I’ll like, I’ll oppose it almost simply out of spite. The only thing worse than someone trying to force you to do something is when life itself seemingly backs you into an inescapable corner, when a twist of fate seemingly decides the course of your life without your input whatsoever. In Spider-Gwen 9, Jason Latour, Robbi Rodriguez, and Rico Renzi examine how Gwen Stacy’s responded to the twist of fate that’s come to define her life, whether she wanted it to or not. Continue reading →
Today, Patrick and Taylor are discussing Spider-Gwen 3, originally released April 1st, 2015.
Patrick: Last week, Drew and I posited that Amazing Spider-Man 17 was about Peter Parking being a bad grown-up. So much of Peter’s identity is tied up in childish — specifically teenage — tropes, that the character has very little sense of agency. He’s reactive more than active. Peter doesn’t have a plan for when he arrives three hours late to his Aunt Mae’s birthday party because he was out fighting the Green Goblin, he just yammers and stammers until he’s ostracized everyone he loves. ASM 17 saw a push away from that attitude with the help of Peter’s sorta-girl-friend-but-not-really (look, Spider-Man got complicated for a while there), but no matter how many opportunities for growth our Spider-Man has enjoyed over his 50 year history, fresh Spider-Man analogues have to start back at square one. Of course, teenage drama might look a little different with the genders reversed. Spider-Gwen 3 ends up being a frustrating exploration of navigating the tough decisions as a teenage Spider-Woman. Continue reading →
Today, Patrick and Spencer are discussing Spider-Gwen 1, originally released February 25th, 2015.
Patrick: If you had to name the most important quality for a superhero story to nail, what would it be? Action? Adventure? Humor? Relatability? Kind of depends on the character, doesn’t it? What I think ends up being most important across publishers and mediums is the story’s ability to express the fundamental nature of the character. If you’re telling a Batman story, it better be dark, grimey, and morally ambiguous. If you’re telling a Spider-Man story, it better be humorous, optimistic and dutiful. So how on earth would anyone write a Spider-Gwen story? The character barely exists beyond a small roll in the recent Spider-Verse event. Fans latched on to the character for a number of reasons (everyone misses Gwen Stacy), but the clearest virtue of the character is that she looks amazing. In lieu of a letter’s page, editor Nick Lowe thanks fans for worshiping the incredible design of Gwen’s costume, celebrating it through fan-art and cos-play. This obsession with image becomes the fundamental nature of stories in Gwen’s world, as Spider-Gwen turns the superficial into the substantial. Continue reading →
Today, Taylor and Shelby are discussing All-New X-Men 25, originally released April 9th, 2014.
Taylor: They, the ever shifting and nebulous authority that knows more than us, is always saying that hindsight is 20/20. Once events have played out, we know exactly what we should have done in a given situation to obtain our desired results. It’s a damned feeling; there’s nothing you can do about it but you kick yourself for not doing the right thing. This feeling is often so frustrating that it can keep us up at night, pondering the grand “what if?” While that can be crushing, just imagine what the feeling would be like if perhaps you could change the past, if only you thought about it hard enough. Hank McCoy (the one in his proper time) knows this feeling and All-New X-Men 25 shows us just how deep and dark that hole can be.