By Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Like with most of Brian K. Vaughan’s books, one of Paper Girls’ best qualities is its letter column. Issue 22’s column ends on one of the more interesting letters the series has received; Vaughan’s avatar, Dash-Dash Dot, rightly calls out the writer for his regressive politics and use of cringeworthy expressions like “beta male,” but as much as I hate to admit it, I also found the writer echoing some criticisms I myself have stated on occasion, particularly his assertion that “twenty issues in, and [the Paper Girls] (and the reader) still don’t know what is happening, or why, or what to do about it.”
I haven’t been shy in calling Paper Girls out on its nearly impenetrable lore and over-arcing plot myself — thankfully, the characters, art, and the individual stories of each arc are strong enough to make Paper Girls a must-read comic despite those larger flaws. But this most recent arc has made it more clear than ever that Vaughan — and Paper Girls itself — has a complicated relationship with information, and that no matter how frustratingly paced its doling out of information may sometimes be, it’s a deliberate, meaningful choice. Continue reading