The Unbeatable Squirrel Girl 6

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Today, Drew and Taylor are discussing The Unbeatable Squirrel Girl 6, originally released June 3rd, 2015.

Drew: Hero punches bad guy. Bad guy goes to jail. Hero winks at the camera. It’s an ending we’ve seen a million times, but after 6 issues, its clear that Unbeatable Squirrel Girl will never be quite so rote. That’s not to say that Doreen isn’t perfectly capable of punching bad guys (or winking at the camera), just that she may be more open to alternative solutions to her problems. It’s an approach that is surprisingly rare in the world of superhero comics, but makes perfect sense when you look at her character sheet: talking is one of her superpowers. Sure, the remarkable part of that power may be that she can talk to squirrels, but honestly, conversation powers are rare enough when it comes to superheroes to forgive the generalization. This issue reminds us of why that power is so key to who Doreen is, then pushes beyond it to show us what else makes her so special. Continue reading

Weekly Round-Up: Comics Released 5/27/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew, Patrick, and Spencer discuss The Chilling Adventures of Sabrina 3, Infinite Loop 2, Effigy 5, Providence 1, Nova 31, S.H.I.E.L.D. 6, Sons of the Devil 1 and Outcast 9.

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Drew: Expectations are a funny thing. They can predispose us to liking or disliking an undeserving work of art, but they can also be exploited by a savvy artist. Exploiting our own expectations to surprise us is one of the most common tricks in genre fiction, but also one of the most satisfying. For evidence, we need look no further than the comics out this week, which play with our expectations in fun, sometimes even shocking ways. Continue reading

Material 1

material 1

Today, Drew and Patrick are discussing Material 1, originally released May 27th, 2015.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Charles Dickens, A Tale of Two Cities

Drew: Like most Americans, I first read A Tale of Two Cities in high school, and like most Americans, that experience utterly ruined the book for me. My 9th grade teacher proudly trotted out all sorts of historical information about the French Revolution, making it all the more difficult to keep in mind that its themes of privilege and oppression are, unfortunately, timeless. Indeed, I’d long seen the famous opening paragraph’s use of past tense as an affirmation of that historical distance, but only because I’d forgotten the less-quotable final clause that reminds us that this is mostly remarkable for being “so far like the present period.” It’s that same “present period” that is reflected in Ales Kot and Will Tempest’s Material 1, which offers a tale of many cities that is just as timeless as Dickens’, but also decidedly more of-the-moment. Continue reading

Secret Wars Round-Up: Issues released 5/27/15

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Today, Patrick and Drew discuss Old Man Logan 1, Where Monsters Dwell 1, Infinity Gauntlet 1, M.O.D.O.K. Assassin 1, Secret Wars 2099 1, X-Men ’92 Infinite Comic 1, Inhumans: Attilan Rising 1 and Secret Wars Journal 1.
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“So… isn’t that just Convergence?”

Comic Fan, Traditional

Patrick: The slug line for DC and Marvel’s big events couldn’t be much more similar: characters and concepts from the greatest stories in the publishers’ legacies are forced to physically live on the same planet. Conflict ensues. In Convergence, that conflict was prescribed by the villain that brought those worlds together. Telos made the characters fight each other for survival in a sort of superhero Hunger Games. Many of the tie-in issues found other narrative avenues to explore, but the set-up was tortuously samey (including a broadcast monologue I had to read 41 times). The issues springing out of Secret Wars, on the other hand, seem to have their own agendas: themes, ideas and values that drive the narrative forward — the patchwork planet is simply set dressing. Continue reading

The Sandman Overture 5

Alternating Currents: The Sandman Overture 5, Drew and Michael

Today, Drew and Michael are discussing the The Sandman Overture 5, originally released May 27th, 2015.

Drew: Neil Gaiman has never been shy about pulling down the curtains that separate fiction from reality. I might call it “breaking the fourth wall,” but it’s less winking at the camera, and more showing us the puppet’s strings to better appreciate the puppet itself. In that vein, it’s never been hard to see Gaiman as Dream, the raven-haired prince of stories, fighting to maintain order over his dominion of characters, settings, and situations. It makes for some fascinating commentary on the creative process, especially when Dream comes up against forces beyond his control, even within his own stories. That’s exactly the name of the game in The Sandman Overture 5, as Gaiman pulls the curtain back on Dream’s mother and brings in some surprises that even Destiny didn’t see coming. Continue reading

Convergence Round-Up: Week Eight

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Today, Michael leads a discussion about Convergence 8, Action Comics 2, Blue Beetle 2, Booster Gold 2, Crime Syndicate 2, Detective Comics 2, Infinity Inc. 2, Plastic Man and the Freedom Fighters 2 and World’s Finest 2.

convergence divMichael: When’s the last time you read a true finale from Marvel or DC? I’m talking final word, last story, completion of a hero’s journey, close-the-book-on-it ending. I could probably only count a handful of those types of finales in the past couple of years; maybe. Like any analysis of the Big Two, it can be seen in two ways: cynically or inspiringly. Cynically, there will never be a “final story.” The Coca-Cola and Pepsi of comic books always leave a door open for potential future stories because they want your money. Inspiringly, we are witnessing the sagas of modern mythology: endless heroic epics. These stories will never come to a true end because their legend continues and the heroes never say die. It can be impossibly cheesy, but the end caption “Never the end” always clutches at my heart strings. After eight weeks, 41 books and 89 issues Convergence has finally met its end. I think there is a strong argument for the inspiring read of “Never the End” present in most of these finales. Conversely, Convergence been criticized as a sales stunt, so the more cynical finale read is just as viable. Two months later what have we learned? For one, nostalgia can be expensive. Continue reading

Black Widow 18

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Today, Patrick and Drew are discussing Black Widow 18, originally released May 27th, 2015.

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“All these voices / All these memories / Make me feel like stone.
All the people / Make me feel so alone.”

-Brian Wilson, “Midnight’s Another Day

Patrick: One of the universal experiences of the comic book reader is the gradual sense that you’re actually getting to know these characters. Readers watch them grow and evolve, and there’s frequently running voiceover to add extra context to their actions. You ever notice that comic fans are much quicker to refer to Superman as “Clark” than people that just know him as a cultural icon? Surely, everyone knows that Superman is Clark Kent, but only those of us that feel close to him would have the audacity to use his first name. But what happens when a comic series actively keeps the protagonist’s perspective at arm’s length? Nathan Edmondson and Phil Noto’s Black Widow shows off a Natasha Romanova that can only really be herself when hidden from everyone else. That includes Bucky Barnes, the Avengers, S.H.I.E.L.D., you and me. Continue reading

The Black Hood 4

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Today, Drew and Patrick are discussing The Black Hood 4, originally released May 27th, 2015.

Drew: There’s nothing quite like a ticking clock to heighten drama. As much as I love the verisimilitude of more relaxed pacing, I can’t help but get excited when everything has to happen RIGHT NOW. I suppose those timebomb moments reflect their own kind of reality — deadlines can force us to rush through everything from our morning routine to the intro paragraph we need to write about the latest comic from Dark Circle — but knowing that there’s no time for second chances can really make a story gripping. Of course, just about every timebomb, whether it’s the inevitable arrival of a character or a literal timebomb, has been done to death. Or so I thought. Remarkably, Duane Swierczynski finds a totally novel timebomb in The Black Hood 4, giving Greg Hettinger the urgency his mission has been so sorely lacking. Continue reading

Weekly Round-Up: Comics Released 5/20/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick, Drew, Michael and Spencer discuss Daredevil 15.1, Guardians of the Galaxy 27, Star Wars 5, Archie vs. Predator 2, Jem and the Holograms 3, The Kitchen 7, Ufology 2, and Wytches 6.

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Patrick: We’ve been digging deep into the DC and Marvel crossover events lately, and so it’s always a relief when we can spend some time exploring more self-contained stories. But no matter how self-contained a story appears, there’s always a legacy — either literal or adopted — that forces a set of assumptions and expectations on the reader. This round-up includes a Star Wars comic, for crying out loud, so there’s some obvious franchise baggage there, but even as we move into the smaller, creator-owned series, the trappings of the genres (we very neatly have Crime, Sci-Fi and Horror represented there) prove themselves to be just as informative as an entire franchise. Continue reading

Trees 9

Alternating Currents: Trees 9, Ryan and Drew

Today, Ryan and Drew are discussing Trees 9, originally released May 20th, 2015.

…Hurled headlong flaming from the ethereal sky
With hideous ruin and combustion down
To bottomless perdition, there to dwell
In adamantine chains and penal fire

John Milton, Paradise Lost

Ryan: The curtains rise in Trees 9 on three silent pages chronicling the Luciferian Fall of poor, poor Marsh. My favorite character in this series rests, undone by the very thing which drove him to the brink of madness:

Flowers mark his grave

The nefarious flowers bloom in his desiccated corpse as if in an elegy: Here Lie Marsh, Whose Name Was Writ Only in Alien Poppies. Thank you, Jason Howard, for the send-off which Dr. Marsh needed. Continue reading