“Preachy” Doesn’t Mean “Bad” in Superman 27

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Preachy” is one of those words that I, as both a critic and a human being, hate using. Almost every narrative preaches in one way or another, meaning that the word largely ends up being used, much like “agenda” or “pandering,” only to describe concepts the speaker can’t stand. Yet, I can’t find a better word to describe Superman 27 than “preachy” — I mean, Lois and Clark spend the majority of the issue stating their beliefs almost directly to the reader in language that sounds straight from a dictionary, eliciting several eye-rolls from me. Thankfully, this doesn’t lead to the issue’s doom. In fact, it still succeeds because of three reasons. Continue reading

Super Sons 6: Discussion

by Spencer Irwin and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Despite not making a single appearance, the Teen Titans loomed large over the first five issues of Super Sons. The Titans were Damian’s trump card, the cool older friends he could taunt Jon with whenever Jon gained the upper-hand against him. Amazingly, Jon never seemed all that affected by Damian’s bluster, at one point even telling Damian off for bringing the Titans up so much. This all changes as Peter Tomasi and Jorge Jimenez bring the Titans into the fold in Super Sons 6, adding some interesting new wrinkles to these two boys’ relationship. Continue reading

Jon Feels More Like Damian in Superman 26

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Filling in for a regular creative team on a comic book is hard all around, for the readers and creators alike. Pete Tomasi and Patrick Gleason take a break for Superman 26 and writer/artist team Michael Moreci and Scott Godlewski sub in.  I didn’t love the previous “Black Dawn” story arc, but it was Tomasi/Gleason story so it jibed with what had lead up to that point. One of the biggest things working against Superman 26 is Moreci’s characterization. Continue reading

Wonder Woman 25: Discussion

By Michael DeLaney and Taylor Anderson

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: The concept of a higher power is one that many men and women struggle with at least once in their lives. One popular debate between believers and non-believers is the question “why does God let bad things happen to good people?” More to the point, “why does God let bad things happen?” After all of the trials and tribulations that she has gone through, Wonder Woman faces her gods and demands answers for it all. Continue reading

Super Sons 5: Discussion

by Mark Mitchell and Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Mark: When I was about twelve years old, some friends and I got it in our heads that we deserved to go to a Six Flags theme park located two hours away from our city. We had just wrapped up a school assignment and were feeling pretty good about it; going to Six Flags was, to our minds, a reasonable reward for a job well done. My parents, for what I now recognize to be completely legitimate reasons, were quick to kibosh the idea — they weren’t interested in driving a Suburban full of sweaty pre-teens two hours to a theme park, driving two hours home, and then doing it all again later that night in order to pick us up. Plus, since I was twelve and had no money of my own to pay for park admission or food once I got in, they would basically be paying me $100 for the pleasure. All because me and my friends felt like we should be rewarded for completing our homework. I was furious.

Dealing with pre-teens and teenagers can be infuriating. They are, after all, categorically terrible; self-absorption coupled with crippling insecurity is a toxic combination. But it’s not their fault nature made them that way. Kids are constantly confronted with situations and decisions they are ill-prepared to face, lacking both the context and emotional experience to properly process and asses the situation. But that doesn’t make it any less irritating to be around them. Continue reading

Dark Days: The Forge 1: Discussion

by Spencer Irwin and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Spencer: By some sort of weird cosmic coincidence, I’ve been re-reading Grant Morrison and Howard Porter’s late 90s JLA run this week. While that series is rightly remembered for its grand, heady ideas and breakneck-paced tales, what impressed me the most this time around was Morrison’s regard for the DC universe — every story was sprinkled with guest stars and allusions to past stories, well-known and deep cuts alike. Despite Rebirth’s best efforts, that sense of history is something I’ve been missing from DC the past few years, so I was pleasantly surprised when I opened Dark Days: The Forge — the prelude to Scott Snyder and James Tynion IV’s big summer event — and discovered that it’s practically an ode to DC’s past. Snyder and Tynion are clearly having a blast digging into DC’s sandbox, and it’s hard for that sense of enthusiasm and wonder not to rub off on the reader. Continue reading

Superman 22

Today, Spencer and Mark are discussing Superman 22, originally released May 3, 2017. As always, this article contains SPOILERS.

Spencer: DC’s double-shipping initiative has created quite the creative dilemma: how do you handle art duties with a schedule that makes it impossible for a single regular artist to handle every issue? Most titles have found a regular roster of artists to cycle through, but Superman adds an interesting wrinkle to that concept — while there are several artists who have consistently lent their talent to the book, co-writer Patrick Gleason is clearly its “main” artist, whose work is usually saved for the most important issues and stories. Such is the case with “Black Dawn,” the culmination of Gleason and Peter Tomasi’s first year of Superman stories. Gleason illustrated “Black Dawn’s” first two chapters, but Doug Mahnke takes over for its third installment. The switch in artists could be jarring, but Tomasi and Gleason incorporate it beautifully, using the opportunity to switch the perspective of their story entirely. Continue reading

Super Sons 1

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Today, Michael and Taylor are discussing Super Sons 1, originally released February 15th, 2017. As always, this article contains SPOILERS.

Michael: “What a delight!” I found myself saying after reading Pete Tomasi and Jorge Jimenez’s Super Sons 1. Super Sons has arguably been one of the most anticipated Rebirth books ever since Jim Lee threw in Damian Wayne and Jon Kent on that teaser poster that your comic book shop gave you back in June. Tomasi and Superman co-writer Patrick Gleason gave us a taste of what to expect from this series a few months ago, and Super Sons 1 carries on that joyful vibe without stumbling.

Continue reading

Superman 16

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Today, Mark and Michael are discussing Superman 16, originally released February 1, 2017. As always, this article contains SPOILERS.

Mark: A lot of my time in Los Angeles has been spent in and around the improv comedy community, and watching a seemingly endless amount of bad comedy (and, truly, few things will make your flesh want to flee your body more than bad improv) really makes you appreciate the pros — people who week after week are able to deliver a baseline solid, occasionally brilliant, show. Consistency is what makes a pro a pro, in comedy, sports, comic books, what have you. The ability to reliably deliver the goods is indispensable. Superman 16 is a slightly disappointing end to Patrick Gleason and Peter J. Tomasi’s “Multiplicty” arc, but they’re pros, so even a messier Superman has ideas and moments worth paying attention to. Continue reading

Superman 14

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Today, Mark and Michael are discussing Superman 14, originally released January 4, 2017. As always, this article contains SPOILERS.

Mark: There was something in the air starting around 2005 that demanded male-driven pop culture be characterized by “grit.” Space marines were to be bald, worlds were to be painted in shades of concrete, and heroes were meant to be broken. It’s perhaps unfair to lay the root of this phenomenon at the feet of Christopher Nolan’s Batman Begins — but here we are. Whatever you think of the movie itself, there’s no question that Nolan’s take on Batman had the (unintended?) side effect of making the character joyless. Everyone wants to be Batman, but who would want to be that Batman? By the time The Dark Knight Rises was released in 2012, this No Fun Allowed Batman was so ingrained in the public consciousness that when Nolan and his brother Jonathan attempted to inject a bit of levity into the proceedings with a handful of actual jokes, some fans of the series balked. And who can blame them? For many, this was the only Batman they knew, and Batman — an adult man who dresses as a bat to beat up clowns and squat fat men and women squeezed into male-gaze fetish gear — was nothing to joke about.

Whether by decree of shared corporate Time Warner overlords or just an attempt to reinvigorize their lineup by capitalizing on the trends of the time, DC’s 2011 New 52 re-launch became an exercise in Nolanization. And while perhaps never as literally grey as the video games of the time, the race to appeal to the same Mountain Dew Gamer Fuel-fueled demographic had the (again, unintended?) side effect of slowly and fundamentally eroding what was so beloved about many of DC’s characters to begin with. To be fair, before Rebirth DC had already begun course correcting toward a more vibrant, diversified, and generally happy lineup of characters, but in some cases the rot was considered too deep. Let us pour one out for New 52 Superman, a sacrificial lamb killed off as a sign of good faith toward spurned fans. Continue reading