Daredevil 2

daredevil 2Today, Patrick and Shelby are discussing Daredevil 2, originally released April 23rd, 2014. 

Patrick: If every issue is someone’s first issue, then every series must be someone’s first series. That’s precisely why Daredevil has kicked back to number one in the first place — to act as an easy access point for new readers. Mark Waid and Chris Samnee seem to be both embracing the possible newness of their readers while playing against the expectations of old readers with the character of Max Coleridge, The Shroud. Part Batman-homage, part Dardevil-mirror-match, part call-back to the scariest villain of the previous series, The Shroud is an interesting indicator of what we can expect from Matt Murdock’s adventures in San Francisco. Continue reading

Daredevil 1.5

Alternating Currents: Daredevil 1.5, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 1.5, originally released April 9th, 2014. 

Drew: Ah, the anthology-style anniversary issue. I absolutely appreciate the concept of bringing in a bunch of top creators to riff on a character they know and love, but in practice, all of that talent ends up competing to leave an impression. That often means wild deconstructions of the very character the issue is celebrating — a thrilling exercise for longtime fans, but one that runs the risk of alienating more casual readers. In the letters column for Daredevil 1.5, editor Ellie Pyle asks what Daredevil means to us, but the question in my mind is “who is this comic for?”

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Daredevil 1

daredevil 1Today, Spencer and Shelby are discussing Daredevil 1, originally released March 19th, 2014. 

Spencer: While we often refer to the articles we write here at Retcon Punch as “reviews”, that isn’t necessarily the most accurate term for them. We aren’t here just to tell you whether an issue is good or bad, or to rate it from one to ten; we like to talk about the book itself, about themes and characterization and the craft that goes into making a book great (or bad, for that matter). In fact, as Patrick recently mentioned, we usually try to avoid broad statements of quality about the books we write. Why am I bringing this up? Well, I wanted to give you guys this context so that you’d realize how significant the following statement actually is: Daredevil 1 may just be a perfect comic book. Or, if it’s not, then it’s certainly a perfect first issue. Continue reading

Daredevil 36

daredevil 36Today, Patrick and Drew are discussing Daredevil 36, originally released February 19, 2014. 

Patrick: I haven’t been reading Marvel comics all that long — in fact, just as the New 52 got me into reading Batman and the gang, Marvel Now got me into reading Spider-Man and the gang. My constant-comic-discovering-buddy Drew pointed out something profound very early on: Marvel is much more interested in reconciling the superheroes with the secret identities than DC is. Which isn’t to say that there isn’t tension between Clark Kent and Superman or that there aren’t similarities between Barry Allen and The Flash, but Marvel heroes tend to lead two rich, full lives that grind against each other constantly. Such is the case with Matt Murdock — the guy even has a history of aggressively asserting that he’s not Daredevil. The finale to Mark Waid and Chris Samnee’s phenomenal run (for now) sees Matt Murdock and Daredevil united as a single set of priorities, values, loves, vulnerabilities and friends. Continue reading

Daredevil 35

Alternating Currents: Daredevil 35, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 35, originally released January 15th, 2013. 

You never attack from a direction I could guess. That’s why you don’t lose.

Matt Murdock

Drew: With that line, Mark Waid reveals exactly what has made his run on Daredevil so memorable: he’s always delivering the unexpected. I’ve repeated time and again that Waid’s work on this series — like Daredevil himself — is absolutely fearless, and it’s thrilling to see Waid suggest that that eschewing of safety or predictability is exactly what makes this series a success. The boldness of his writing throughout this run speaks for itself, but by having Matt rely on outside help from Elektra and Kirsten to implement that unpredictability, Waid reminds us that even the man without fear needs the support of equally fearless friends, highlighting the work of Waid’s own collaborators. Continue reading

Best of 2013: Best Series

Best of 2013: Best Series

We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. We were lucky to read a lot of great series over the past year, but it’s those that pushed the boundaries that we wanted to sing special praises of. These are our top 13 series of 2013.
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Daredevil 34

Alternating Currents: Daredevil 34, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 34, originally released December 18th, 2013. 

Drew: We tend to associate soapbox speeches with masturbatory lectures important only to the speaker — it’s an annoyance when someone gets on their soapbox — but at one time, soapbox speeches were actually considered a form of entertainment. I’m not entirely sure if the audiences tended to agree with the speeches, or if there was more of a morbid curiosity factor in play (the same type that might keep you up late watching youtube clips of The O’Rielly Factor), but the point is: there was a time when somebody would literally be on a soapbox, and people’s reaction wasn’t to just tell them to get of of their damn soapbox. I was reminded of this as I read Kirsten McDuffie’s soaring call for levelheadedness in Daredevil 34. Continue reading

Daredevil 33

Alternating Currents: Daredevil 33, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 33, originally released November 22nd, 2013. 

Drew: “The man without fear” is kind of a strange title for a superhero — between absurd power levels and unmatchable competence, most superheroes have nothing to fear in the first place. Heck, the Avengers just repelled an unstoppable force of universal destruction and one of them just shoots arrows. This prompts supervillain inflation, where each bad guy needs to be bigger than the last in order to draw any drama from the situation — at least, that’s usually the solution for most writers. Mark Waid, on the other hand, has taken Matt Murdock’s title to heart, and has set out to explore the kinds of horrors that have nothing to do with the size of the guy Daredevil has to punch. The result is incredibly relatable and human, but also extremely rare in modern comics. Continue reading

Daredevil 32

daredevil 32

Today, Ethan and Drew are discussing Daredevil 32, originally released October 23rd, 2013. 

Ethan: There have been a couple of times now that I’ve wondered aloud about whether this or that character in Daredevil is about to die. Sometimes with tongue in cheek, like when we saw the crooked judge take a pot shot at Matt in the courthouse, or with a little more concern like at the end of the last issue, where we saw something that looked like Foggy hanging from the neck in a darkened room. I don’t know if it’s just coincidence or a concerted effort by Mark Waid to always seem like he’s killing off one of his characters, but guess what: in Daredevil 32, I think he’s really done it. He’s gone and punched Matt Murdock’s ticket.

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Daredevil 31

Alternating Currents: Daredevil 31, Ethan and DrewToday, Ethan and Drew are discussing Daredevil 31, originally released September 18th, 2013. 

Ethan: The latest issue of Daredevil delivers a some shocking moments. A respected lawyer calls for blood in the streets after an unfavorable verdict, Daredevil pistol-whips a policeman, a swarm of ants controls the weather… and the final panel delivers a heart-dropping twist. To those of you who haven’t picked up this issue yet, here thar be Spoilers. Seriously, no joke, don’t read this if you plan to read this issue but haven’t gotten the chance yet. A revelation at the climax of issue has the potential to shake Matt Murdock — and we the readers — to his core. Continue reading