Taylor: I recently finished watching the second season of Aziz Ansari’s Master of None, and can say that I thoroughly enjoyed it. Why exactly I like the show could be an essay unto itself, but suffice it to say that Dev, Ansari’s character, is so damn likable it makes it hard to dislike the show by extension. The reason I bring this up is to illustrate how important likable and relatable characters are to any story. Master of None is by no means perfect, but the characters are so lovable that they more than make up for any of the show’s shortcomings. East of West, by comparison, has a dearth of likable and relatable characters despite its large cast, and this often is too the detriment of the series. Issue 33, however, bucks this trend, and in so doing makes the apocalypse more engaging than it’s been in a long while.
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars: Poe Dameron 12, East of West 32, Kill or Be Killed 7, and Sex Criminals 17. Also, we discussed Archie 18 on Monday, and we’ll be discussing American Gods: Shadows 1 on Tuesday, and Injection 11 on Wednesday so come back for those! As always, this article contains SPOILERS. Continue reading
Today, Patrick and Taylor are discussing East of West 30, originally released December 27th, 2016. As always, this article contains SPOILERS!
Taylor: The other day I was reminiscing with a colleague about the James Bond marathons that we used to watch on TV when we were young. We agreed that what we most remembered about these “Bondathons” was that it really didn’t matter when you tuned into a particular movie because every Bond movie is basically the same. Bond is always going to use cool gadgets, meet beautiful women, get in fights, and of course battle some enemy who threatens the free world. This last aspect of Bond movies is perhaps what makes them all so similar and is also why I don’t find the movies that entertaining any more. When antagonists become a rotating cast all trying to do the same thing, the formula for these movies gets old. The same goes for East of West, where so many people are vying to destroy the world that the formula for the series is beginning to get a little stale.
Today, Patrick and Taylor are discussing East of West 24, originally released January 29th, 2015.
Taylor: Anyone who has ever regularly practiced cardio exercise can tell you about the importance of pacing. I myself ride my bike to work whenever possible, and while I’m in the saddle, I definitely fall into my usual rhythm. There’s something about finding the proper pace to your workout, race, or commute that is incredibly important to helping it run smoothly. Pace is similarly important with story telling, the only difference being that instead of a steady pace, you want one that varies and excites you. Comic books are interesting when you consider the pacing of a story. Does each issue need a varying pace or should the series as a whole vary its pace as needed regardless of individual issues. East of West is a series that seems to fall into the latter and while this is cause of equal parts frustration and excitement. Continue reading
Today, Patrick and Taylor are discussing East of West 22, originally released December 2nd, 2015.
Patrick: The world of East of West exists in a state of ceaselessly progressing apocalypse. Jonathan Hickman and Nick Dragotta’s series is appropriately grim to match the tone of a world mired in sustained war, famine, disease and death. And while that’s all terrible, it has sort of become background noise against which millions of people still lead their lives. It takes a specific moment of invasive violence to snap readers out of their apocalypse-apathy, and issue 22 doubles down on both the specificity and the invasiveness of that violence. The result is a haunting, immediate issue that preys on our fears of being attacked when we are at our most vulnerable. Continue reading
We all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).