Taylor: Among other things, comics are known for their ever-evolving and unpredictable story lines. Despite the flux going on around them, however, the hero of a comic book, for the most part, stays the same. If you put a criminal in front of Batman or any other A-list hero, you have a pretty good idea of how they’re going to react. Catwoman, an A-list hero in her own right, is a little tougher, though. Put a criminal in front of her and you’re never quite sure how she’ll react. Across various titles and years, Catwoman’s motives have remained as finicky as the cats she uses as her namesake. In her new incarnation, many things have changed for Selina, but the thing that remains the same is her unpredictable and ultimately unknowable agenda. Continue reading
Such hath been our sinceritie in these tymes, not to give any comfort to the hurt of the King or his countries; and now, if these reports which we heare should be true, we might think ourselves evil recompensed, and should be provoked for our defense to use such means as otherwise of ourselves we did never allow or like.
Queen Elizabeth I, 1570
Shelby: Sadly, we are already knee deep in speculation over who will run for president in 2016. As much as I hate the way politics is far more about campaigns than actually accomplishing anything, I have to admit a certain curiosity over Hillary Clinton; will she try to run again? Is it possible I’ll soon see the first female leader of this country? What sort of unique challenges will she have to face, whether based on Ms. Clinton’s previous political history, or her gender alone (be it Clinton or not)? Based on the numerous references to Queen Elizabeth I in Catwoman 35, I suspect new writer Genevieve Valentine has a lot of similar questions in mind.
Today, Patrick and Drew are discussing Catwoman 14 originally released November 21st, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Patrick: The scenario “Joker plays mind games with Selina Kyle” is ripe with potential for unpacking deep psychological issues. But that would be asking a fundamentally stupid series to try something smart. The result here is disastrous — a pointless diversion through visually incoherent space populated with flat characters playing a no-stakes game of Who Gives A Fuck.
Today, Shelby and Drew are discussing Catwoman 13 originally released October 17th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Shelby: Last week, we talked about the overuse of darker tropes as a means to make a story excessively dark and gritty in our Chat Cave discussion of Sword of Sorcery 0. The particular example we were discussing was an attempted rape scene which many viewed as a way to make the comic edgier and sell more copies. Drew made the point that the same argument can be made of any emotion; character’s emotions and their reactions to the emotions of those around them help propel the story forward, and they can easily be twisted to sell comics first, and develop plot second. The same can be said of madness. It can be used to effectively display a character’s unraveling, or it can be included in a story merely to push the envelope and be unique. The big problem with madness is it is, by nature, very confusing. So, when we’ve got a story that pushes madness to the extreme with very little reason behind it, we’ve got a disorienting mess on our hands.
Today, Shelby and (guest writer) Heath Gordon are discussing Catwoman 0, originally released September 19th, 2012. Catwoman 0 is part of the line-wide Zero Month.
Shelby: I really want to like Catwoman. I’ve always been intrigued by the “villain of convenience,” that one character who does what he wants; sometimes his goals line up with the hero’s, sometimes they don’t. Every encounter reveals a new motive that can land anywhere on the villain/hero scale. We never really know where this character’s loyalties lie. Ultimately, it all adds up to interesting and engaging reading. This is what I want Catwoman to be: a kick-ass thief with a unique take on what’s right and wrong. I was disappointed with Judd Winick’s vapid, selfish, recklesly stupid Selina Kyle, and had high hopes for Ann Nocenti’e origin story. Looks like I’m going to have to stay disappointed.
Today, Patrick and Shelby are discussing Catwoman 9 originally released May 16th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage. Not caught up on Catwoman? No problem! Get up to speed with our video Cram Session.
Patrick: Judd Winick’s Catwoman is a morally dubious character that makes poor decisions all the time. And not just poor life decisions (like dressing up like a cat to steal things, or hate-fucking Batman), but tactically shitty decisions that put her life and the lives of her friends in danger. She will occasionally – arbitrarily – grow a heart, and do something nice for someone, as she does in her Night of the Owls adventure. But there’s nothing under her mask that supports any of this kind of behavior, and no amount of teased backstory is going to change that. Continue reading
It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.
Retcon Punch got you covered.
Sometimes Selina Kyle is a compelling anti-hero. But mostly, she’s a petty thief who doesn’t know when to quit. Between her inability to stop stealing and repeated poor judgement calls in her relationships, it might be hard to find Catwoman sympathetic… luckily, you don’t have to! Just watch our three-and-a-half minute video and you’ll know everything you need to know about issues 1-8.