Today, Mark and Spencer are discussing Hal Jordan and the Green Lantern Corps 21, originally released May 24th, 2017. As always, this article contains SPOILERS.
Mark: One area where Robert Venditti has excelled in this team-up Green Lantern book is differentiating each of the four Earth-based Green Lanterns and incorporating their unique perspectives into the larger narrative. Like the never-ending debate between Mystery Science Theater 3000 fans over who was the best host of that show, Joel, Mike, and now even Jonah, everyone has their favorite Green Lantern, and you’ll be hard pressed to convince a John Stewart fan of Hal Jordan’s merits. So while the book’s title prominently features the most recognizable of the Green Lanterns, there’s a lot of fun to be had in Venditti’s team-up, each Lantern bringing their best to the game, adding more fuel to the ever-burning debate. Continue reading →
How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Gotham Academy Second Semester 9, Hal Jordan and the Green Lantern Corps 20, New Super-Man 11, Shade, the Changing Girl 8 and Wonder Woman 22. Also, we will be discussing All-Star Batman 10 on Monday and Bug: The Adventures of Forager 1on Wednesday, so check back for those! As always, this article contains SPOILERS.
Today, Michael and Patrick are discussing Hal Jordan and the Green Lantern Corps 18, originally released March 8th, 2017. As always, this article contains SPOILERS.
Michael:Hal Jordan and the Green Lantern Corps has been surprisingly superb title from the beginning of Rebirth. The one thing that it has working against itself? Its title. Why the need to put Hal Jordan at the center of everything? Sure, Hal has been the focus of some of the issues but overall this is a team book focusing on the Corps. Hal Jordan and the Green Lantern Corps 16 focuses that spotlight on everyone’s favorite vest-sportin’ loudmouth, Guy Gardner. Continue reading →
Today, Spencer and Patrick are discussing Hal Jordan and the Green Lantern Corps 7, originally released October 26th, 2016. As always, this article contains SPOILERS.
Spencer: Have you ever gotten into an argument with a long-time friend? With that much history between you, it’s far too easy for whatever sparked that particular conflict to fall to the wayside as your argument instead becomes about every slight the two of you have ever inflicted upon each other. That’s exactly what happens in Hal Jordan and the Green Lantern Corps 7. Hal and Sinestro’s grand battle for control of the universe is more of a grudge match between these former friends and rivals; the actual stakes matter less to Hal and Sinestro than themselves finally proving their methods and emotion of choice superior to the other’s. Continue reading →
Today, Patrick and Drew are discussing Catwoman 14 originally released November 21st, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Patrick: The scenario “Joker plays mind games with Selina Kyle” is ripe with potential for unpacking deep psychological issues. But that would be asking a fundamentally stupid series to try something smart. The result here is disastrous — a pointless diversion through visually incoherent space populated with flat characters playing a no-stakes game of Who Gives A Fuck. Continue reading →
Today, Shelby and Drew are discussing Catwoman 13 originally released October 17th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Shelby: Last week, we talked about the overuse of darker tropes as a means to make a story excessively dark and gritty in our Chat Cave discussion of Sword of Sorcery 0. The particular example we were discussing was an attempted rape scene which many viewed as a way to make the comic edgier and sell more copies. Drew made the point that the same argument can be made of any emotion; character’s emotions and their reactions to the emotions of those around them help propel the story forward, and they can easily be twisted to sell comics first, and develop plot second. The same can be said of madness. It can be used to effectively display a character’s unraveling, or it can be included in a story merely to push the envelope and be unique. The big problem with madness is it is, by nature, very confusing. So, when we’ve got a story that pushes madness to the extreme with very little reason behind it, we’ve got a disorienting mess on our hands. Continue reading →