Batman 49 is the Anti-“The Killing Joke”

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Tom King and Mikel Janin’s Batman 49 gives Catwoman and Joker an opportunity to discuss the role humor plays in both their lives and the greater Batman franchise. Joker’s goal in all of this is to get a laugh out of Selina, and by the end of the issue, she obliges him with a joke of her own and a chuckle. Sounds like Killing Joke, right? Here’s the thing – King gets us there by trading in connection, nostalgia and shared history, where Alan Moore and Brian Bolland got there by trading in misery. The result is an inversion on the classic story, and an update on the storytelling values in Batman and in comics in general. Continue reading

A Reveal as a Punchline in Batman 48

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Last time Tom King and Mikel Janin put out a Joker story — in “The War of Jokes and Riddles” — the Clown Prince of Crime wasn’t exactly himself. Batman 48, then, gives King and Janin a chance to show their take on a more platonic form of the Joker. He’s probably more manic and scrambled than usual, but just as devious, cunning, and ruthless as ever. Most importantly, though, this Joker is wickedly funny. Batman 48 is jam-packed with black humor and perfectly constructed (albeit remarkably morbid) jokes. In fact, the entire issue can be viewed as one long set-up to a perfect punchline. Continue reading

The Hard Truth of Batman: White Knight 8

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Sean Murphy debuted Batman: White Knight with a simple twist: what if The Joker went good and made Batman the villain? Throughout the subsequent seven issues, Murphy added unique layers to both The Joker, Harley Quinn and Gotham City as a whole. Batman: White Knight 8 closes out the series by bringing the attention back to The Caped Crusader himself. Continue reading

The Art of the Tease in DC Nation 0

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

DC Nation 0 provides teases for three different types of upcoming books: Tom King’s continuing run on Batman, Brian Michael Bendis’ upcoming turn on the Superman books and the Scott Snyder-helmed Justice League: No Justice series. Different books lead to different teases. Continue reading

Jack and Batman Come Clean in Batman: White Knight 7

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

As Batman: White Knight races towards its finale, Batman and Jack Napier come face to face with their own egos and shortcomings. After spending the majority of the series as an aggressive bully, Sean Murphy finally gives Batman the opportunity to be heroic again in Batman: White Knight 7. Continue reading

Near the Beginning and at the End in Batman Annual 2

by Michael DeLaney

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If you haven’t been paying much attention, Tom King is a big shipper of Batman and Catwoman. In Batman Annual 2, King forgoes any direct connection to his current Batman run and instead writes a Batman/Catwoman tale that functions as the first and last word on the couple. Continue reading

Batman: White Knight 1

by Ryan Desaulniers and Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

 He’s the hero Gotham deserves, but not the one it needs right now.

Jim Gordon, The Dark Knight

Ryan: Since that line was uttered in lamentation of Gotham’s corruption, I feel as if it’s almost become a canonical outlook on the Caped Crusader. The thing about that line, though, is that it’s purely subjective on Gordon’s part, and particular unto the circumstances of that Batman story in that film. And almost every statement can be used against the point for which it was originally made, right? Even scientists with objective data sets can use the same numbers to support the opposite side of an argument, or the same verse of scripture used to prove opposing points. In Batman: White Knight 1, Sean Murphy takes Jim Gordon’s iconic statement and uses it to sow the seeds of a Gotham wherein the Joker justifies his action with that logic, both as a villain and a hero. Continue reading

Batman 32: Discussion

by Drew Baumgartner and Michael DeLaney

Batman 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I don’t know.

Teenager, Traditional

Drew: I used to work as an Assistant Dean for an academic enrichment program — basically, high-school students would come to a college campus for a few weeks over the summer to take some classes and get a feel for dorm living. The Dean’s office was there to keep kids out of trouble, or, more accurately, to address the trouble that the kids inevitably got into. Most of the time, the motives for their infractions were clear enough — they skipped class because it was boring or they tried to sneak into the girl’s dorm to see their girlfriend — but every so often, a kid would do something so inexplicable, the first question had to be “why?” And the answer, invariably, was “I don’t know.” Sometimes, our better judgement eludes us, allowing weird impulses or emotions to lead us to actions we can neither explain nor defend. It’s a phenomenon that teens are particularly prone to, with their hormonally-charged emotions and only-partially-developed impulse control, but it happens to adults, too (even sober ones). It is one of these moments that turns out to be Bruce Wayne’s “greatest sin,” as the climax of “The War of Jokes and Riddles” leads him to a rare flash of moral weakness. Continue reading

Batman/The Shadow 6: Discussion

by Michael DeLaney and Mark Mitchell 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Michael: As Drew and I suggested in our discussion of this series’ first issue, Batman/The Shadow is absolutely a Batman-centric book featuring The Shadow and not the reverse. There’s nothing wrong with that, but it just proves how strong Batman’s hold is on the heart and mind of Scott Snyder. The finale — Batman/The Shadow 6 — underlines that statement as the fantastical elements of The Shadow’s world only strengthen Batman’s very human legend. Continue reading

Batman 30: Discussion

by Michael DeLaney and Drew Baumgartner 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: I’ll admit, I haven’t really understood Tom King’s fascination with Kite Man during his tenure on Batman. King placed Kite Man in the middle of “The War of Jokes and Riddles” in Batman 27 and his tragic origin — Riddler poisoning and killing his son — still left me unmoved. Batman 30 marks the second part of “The Ballad of Kite Man” as well as my cold heart thawing to Kite Man’s tragic existence. Continue reading