This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Spencer: When I was a kid, if you’d asked me what I wanted to be when I grew up, I’d have answered “Batman.” Growing up on the Adam West series, I didn’t recognize the tragedy that fuels the character — I only saw the potential for adventure. As someone who was bullied a lot as a kid, I think I was especially attracted to the justice of Batman, the idea that the good guys always won and that the villains always got what was coming to them. For many — both children and adults — comics can serve as an oasis or an escape, but at times they also just serve to highlight, to painfully drive home how unfair the real world actually is. That juxtaposition lies at the heart of Batman: Creature of the Night. Continue reading →
Today, Patrick and Michael are discussing Klaus 5, originally released May 4th, 2016.
Patrick: Joseph Campbell’s monomyth needs revision. Certainly, the concepts born out in his Hero With A Thousand Faces appear in every blockbuster action movie and comic book produced in the last half-century. But the proliferation of visual storytelling since Campbell’s heyday has added some colorful hallmarks to the heroic storyteller’s lexicon. I don’t know what we can really trace these recurring visual motifs to — Hollywood Westerns, anime, comic books, Saturday morning cartoons — but the fact remains that our heroes all share some common traits. They have costumes that give them either an instantly recognizable silhouette or an instantly recognizable color palette. They all move the same way: with a shocking grace, often over rooftops. In Klaus, Grant Morrison and Dan Mora imbue Santa with these same visual hallmarks, updating him from folk legend to comic book hero. Continue reading →