All-New X-Men 9

all new x-men 9

Today, Patrick and (guest writer) Michael D. are discussing All-New X-Men 9, originally released March 20th, 2013.

Patrick: ­”What are we doing here?” It’s a practical question, but it’s also often a petulant one. The question is so charged, packed with implications about the many other ways the asker would rather be spending their time. In my experience, the next thought after “what are we doing here?” is usually “I’m leaving.” When you’re young and unattached, it’s a dangerous question because it can lead you to take almost any course of action. So when a time-displaced mutant that feels alienated from his only friends asks “What are we doing here?” it’s cause for alarm.

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All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

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Age of Ultron 1

age of ultron 1AU

Today, Patrick and Drew are discussing Age of Ultron 1, originally released March 6th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

ultron-div

Patrick: Y’all remember Battlestar Galactica? Until the show’s premise became too complicated to be expressed in a few simple sentence fragments, each episode would begin with the following titles projected across the screen:

The Cylons were created by man. They evolved. They rebelled. There are many copies. And they have a plan.

It’s exactly enough information to tease the world of the series. Yeah, there’s a lot more to it than that — this description makes no mention of the last scraps of humanity drifting through space in outdated battleships, or God or gods or Starbuck or Frak. It doesn’t have to: the purity of the threat represented by Cylons is so elemental and to render the rest beautiful, beautiful set-dressing to this central conflict. Battlestar would go on to tell a hundred compelling stories based of that clean slug-line, replete with rich themes and psychologically complex characters. Brian Michael Bendis’ Age of Ultron looks like it will have a great deal in common with BSG, the first such indication is a straightforward and agonizingly clean premise: “Hank Pym of the Avengers created an artificial intelligence known as Ultron. It hates humanity… and it has returned.” Game on.

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