Today, Patrick and Taylor are discussing Original Sin 1, originally released May 7th, 2014.
Do we… check for a pulse or… did he even have a pulse? Do we know?
Captain America, Original Sin 1
Patrick: Superhero murder mysteries are a trip. In a traditional murder mystery, the audience should all have the same basic understanding of the rules of the game. That way, we’re able to play along as detectives in our own right. Half of the fun in watching a fictional detective solve a crime is feeling like you’re one step behind, just a shade less insightful than hero of our story. But superheroes live in a different universe, with scores of different rules that change and contradict each other throughout the course of history. The abilities and motives of the murder suspects could be…literally anything — you know how many of these characters can alter reality? The first proper issue of Original Sin sets a wildly complicated stage, and while I don’t think I have a chance in hell of reaching the conclusion before our heroes do, I do have a sense of what’s at stake for our lead detective: the original Nick Fury.
Today, Ethan and Drew are discussing FF 16, originally released January 22nd, 2013.
Ethan: With the arrival of FF 16 Scott Lang’s campaign to end Doom is itself at an end. Even though Doom was the cause of the crusade, it’s always been more about Scott — this finale is no different. As Scott confronts the mortal enemy of the Fantastic Four and the man who killed his daughter, there’s never going to be a better time to prove who or what the latest incarnation of Ant-Man has become. Unsurprisingly, Matt Fraction and Lee Allred do not disappoint.
Today, Ethan and Drew are discussing Age of Ultron 2, originally released March 13th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.
Ethan: In recent years, after the financial markets fell screaming into their perennial nosedive, the city of Detroit hasn’t done so well. Workers who had spent their lives with a company were laid off, branches were closed, businesses died, buildings were abandoned. Over time, the violence of the changes and departures faded as the temperatures, wind, and microorganisms went to work. Materials that we associate with longevity — brick, stone, even plastics — took on a distinctly alien appearance of decay. The effect even got a name — “ruin porn” — and photographers from across the country flocked to capture the scenes. Reading through the second issue of Age of Ultron evokes the same mix of wonder and horror, albeit the decay is in much fresher stage, and the characters are fictional. Bryan Hitch continues to deliver impressive vistas of metropolis in its death throes, and writer Brian Michael Bendis fills these images with sparks of life as the heroes try to find their place in the new world.
Today, Patrick and Drew are discussing Age of Ultron 1, originally released March 6th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.
Patrick: Y’all remember Battlestar Galactica? Until the show’s premise became too complicated to be expressed in a few simple sentence fragments, each episode would begin with the following titles projected across the screen:
The Cylons were created by man. They evolved. They rebelled. There are many copies. And they have a plan.
It’s exactly enough information to tease the world of the series. Yeah, there’s a lot more to it than that — this description makes no mention of the last scraps of humanity drifting through space in outdated battleships, or God or gods or Starbuck or Frak. It doesn’t have to: the purity of the threat represented by Cylons is so elemental and to render the rest beautiful, beautiful set-dressing to this central conflict. Battlestar would go on to tell a hundred compelling stories based of that clean slug-line, replete with rich themes and psychologically complex characters. Brian Michael Bendis’ Age of Ultron looks like it will have a great deal in common with BSG, the first such indication is a straightforward and agonizingly clean premise: “Hank Pym of the Avengers created an artificial intelligence known as Ultron. It hates humanity… and it has returned.” Game on.