Agency and Sacrifice in Black Bolt 6

by Drew Baumgartner

Black Bolt 6

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Freedom isn’t free” has become the insulting platitude gun advocates offer to justify the United States’ unrivaled gun violence numbers. Never mind that countless countries enjoy similar freedoms without the same body counts — the freedom to own a gun, the logic goes, is worth the lives of any number of concertgoers, congressmen, nightclubbers, pedestrians, or schoolchildren. It’s strange that the notion of the cost of freedom has gone from personal costs one might make in order to secure freedom for themselves and their country to some kind of blood sacrifice we demand of others, since the two couldn’t really be more different. One is about noble sacrifice, the other is about throwing someone else under the bus to save your own skin. It’s a point that Saladin Ahmed and Christian Ward make elegantly in Black Bolt 6, as the mad scramble for freedom yields some unexpected costs. Continue reading

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The Past is Both a Strength and a Weakness in Black Bolt 5

by Drew Baumgartner

Black Bolt 5

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I had a boss who used to say “your greatest weapon is ultimately also the sword you fall upon.” That is, our strengths tend to secretly carry weaknesses. He usually meant it in terms of workplace skills — natural leaders might not make for great team players, for example — but I’ve found this idea remarkably insightful in people’s personal lives, as well. Maybe you draw strength from your extended family, though that may tie you down geographically, or from a hobby that also sucks up most of your free time. It’s an idea that’s relatively well-worn in superhero comics, but is generally limited to loved ones becoming liabilities. Black Bolt 5 offers a different take, injecting its usual style and emotional depth to both Blackagar’s strength and his weaknesses. Continue reading

The Page Becomes the Prison in Black Bolt 3

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Black Bolt is trapped in a sci-fi prison so trippy, I’m not sure how to refer to it. Is it a a prison out of time and space? Oooh! Maybe some kind of psychic labyrinth! It’s a space between dimensions or beyond death or beside reality — anywhere you can’t quite describe without feeling like a huge dork. But as tough as it is to describe the space, the physicality of it is massively important. It’s a prison, after all; if the readers don’t have a sense of the jail being broken, what the fun in a jail break? That’s where artist Christian Ward steps in and grants every indescribable room a stunning clarity. I may never be able to tell you what this space is, but there’s never any confusion about what the room-to-room experience is for Black Bolt and his new friends. Continue reading