This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Not only is it cliche to say that setting of a story becomes its own character, it’s also inaccurate. I don’t care how much you think New York City is a character in [whatever movie you’re talking about], characters have wants, desires, arcs — characters can change and be changed by the story. A location cannot. A good setting can be incredibly additive, coloring in emotional information and setting an appropriate tone, but, y’know — isn’t a character. In Black Bolt 10, writer Saladin Ahmed and artist Christian Ward use the ancient Inhuman city of Orollan, nestled away in Greenland, to emphasize the cold lonely journey Black Bolt has been on since issue 1. Continue reading →
Today, Spencer and Patrick are discussing All-New Inhumans 5, originally released March 16th, 2016.
Spencer: By this point in my life, I’ve consumed plenty of media where the main characters weren’t in the right, or perhaps where the audience is even meant to root against the protagonists. Still, despite all that experience, I tend to give my main characters the benefit of the doubt; I like to believe I should be rooting for them, and that they at least believe they’re doing the right thing, until I’m unequivocally proven wrong. Things haven’t gotten dire enough yet to turn me against the Inhumans by any means, but All-New Inhumans 5 does mark the point where I’m starting to question, if not their motives, then certainly their methods. Continue reading →
Today, Shelby and Patrick are discussing Inhuman 2, originally released May 28th, 2014
Shelby: Serialized media has it’s pros and cons. I rather like having to wait a bit between installments; as long as the wait isn’t too long, and I know when I’m going to get my next chunk of the story, that waiting period adds delicious tension to the tale. I think it also makes things more special, having to wait for them; anticipation can definitely make things sweeter. But, like everything, there’s a downside to dragging a story out over months; when the reader wonders, “wait, is this still happening?” when we’re only on issue 2 of the book, you know there’s a problem.