This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There’s no time to explain!
Evasive Characters, Traditional
Drew: There comes a point in any mystery where the effort of maintaining the secret is obviously more trouble for the characters than simply admitting the truth. Writers may delay the inevitable by interrupting much-needed explanations, or adding some urgency that makes such explanations impossible, but inevitably, just taking a moment to put everyone on the same page is better for everyone. That is, “There’s no time to explain,” almost invariably causes more confusion and delays, taking more time than actually explaining what’s going on, and any character who is truly concerned about time would recognize that. Case in point: young Cable’s cause, when he finally gets around to explaining it in Extermination 4, is so compelling that virtually everyone who hears it is immediately on board with his plan. It would have saved him a ton of time sneaking around and fighting if he had any confidence in the necessity and righteousness of his mission. Fortunately, writer Ed Brisson has written in a remarkably effective explanation for young Cable’s illogical behavior: he’s a teenager. Continue reading →
Today, Drew and Michael are discussing All-New X-Men 41, originally released June 3rd, 2015.
…it was a good metaphor for what was happening with the civil rights movement in the country at that time.
Stan Lee on creating the X-Men
Drew: The X-Men’s role as a metaphor for the civil rights movement is as well-known as it is obvious — a group of people, marginalized by a coincidence of birth, struggle to be accepted by a society that fears and hates them. With so many institutions codifying racism with backwards rules, from school boards to lunch counters, it didn’t take much exaggeration to blow up that marginalization to comic book proportions. As those policies fell out of use, though, the X-Men came to stand in for other groups that were institutionally marginalized. As society continues to discard bigoted policies, however, the struggle for civil rights becomes less and less about fighting institutional rules that can be pointed at, and more about combating smaller day-to-day injustices. By their very nature, those smaller conflicts don’t lend themselves as well to superhero action: exaggerate them, and you lose the insight into how they affect people every day; don’t exaggerate them, and you don’t have anyone for your hero to shoot eye-beams at. Brian Michael Bendis and Mahmud Asrar opt for exaggeration in All-New X-Men 41, and may lose their message along the way. Continue reading →
Today, Ryan and Michael are discussing All-New X-Men 40, originally released April 22nd, 2015.
Ryan: All-New X-Men 40 set the internet abuzz. People who have never picked up a comic book are posting about it. Reputable media outlets such as CNN, the Wall Street Journal, Entertainment Weekly, and even Buzzfeed wrote responses to the issue, inspiring a great deal of debate on message boards and comment sections, alike. Can you blame them? It is not every day that a seminal comic book character, one who is universally adored, receives a fresh start and is looked at with a contemporary — if not somewhat controversial — perspective. The creative team of Brian Michael Bendis and Mahmud A. Asrar accomplish exactly this as they reveal that (SPOILER ALERT!)…Random is back, and he brought Boom-Boom, Karma, Masque, Madison Jeffries, and Elixir with him!! Oh, and apparently young Bobby Drake is gay. Continue reading →