Individuality is Growth, and Regression Danger in X-23 1

By Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s hard not to view Laura’s return to the name “X-23,” after wearing the mantle of “Wolverine,” as a demotion, even a regression for the character. X-23 1 does all it can to smooth over this transition — writer Mariko Tamaki’s pitch-perfect channeling of Laura and Gabby’s voices combined with the return of one-time All-New Wolverine artist Juann Cabal gives this issue a lot of forward momentum, making it feel like a continuation of the story Tom Taylor began rather than a radically new take — but never explicitly addresses the change of code-names or the reason behind it. Instead, Tamaki and Cabal tackle the ideas of identity, growth, and regression head-on through the examples of Laura, Gabby, and the Stepford Cuckoos. I wouldn’t be surprised if it was all leading towards an argument for “X-23” later in the storyline. Continue reading

Waging Peace in X-Men Red Annual 1

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“I was the Phoenix. I burned so brightly. Then I was dead. And everything was dark.”

Jean Grey, X-Men Red (2018) Annual #1

Writer Tom Taylor starts this issue with the narration above, quickly summarizing the tragic arc of Jean Grey. It was a violent life, and the bullet points of her story are mostly bummers. Over Scott Summer’s grave, Jean promises that this time is going to be different, and this annual is all about what that might look like. Taylor and artist Pascal Alixe offer an issue full of love, understanding, and difficult conversations. Jean’s still here to win, but it’s not war she’s waging. It’s peace.

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All-New Wolverine 32 finds Catharsis in Revenge

by Drew Baumgartner

All-New Wolverine 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This issue opens with a heartbreaking flashback sequence chronicling the simultaneous loss of innocence for two young girls. One is Amber Griffen, whose father was killed at his first day on the job protecting a presidential candidate. The other is Laura Kinney, who was the assassin sent to kill that candidate (and anyone else within clawing distance). Years later, it’s easy to understand why these women would be enemies, but Tom Taylor and Djibril Morissette-Phan take care to demonstrate that Laura is every bit as victimized by these events as Amber, telling their stories in parallel to drive that point home.

Amber and Laura Continue reading

Generations: Wolverine & All-New Wolverine 1: Discussion

by Drew Baumgartner and Michael DeLaney

Generations Wolverine & All-New Wolverine 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Drew: Superhero comics have always been about wish fulfillment. We might think of a lot of those wishes (from flying to standing up to bullies) as childish, but adults are far from immune from impossible fantasies. While the wealth and power of many superheroes is certainly appealing, I’m thinking more of the more existential wishes adults may have, at once more fantastical and easier to imagine than leaping tall buildings in a single bound. The most elemental of these wishes might be to have just one more conversation with a deceased loved one. This is exactly the fantasy Tom Taylor and Ramon Rosanas mine in Generations: Wolverine & All-New Wolverine, giving Laura Kinney one last chance to interact with her father. Continue reading

Ghost Rider 1

ghost-rider-1

Today, Patrick and Taylor are discussing Ghost Rider 1, originally released November 30th, 2016. As always, this article containers SPOILERS!

Patrick: I’m not great with first impressions. I’ve got so many nerdy and niche interests, and I never want to unload all of that alienating garbage on someone when we first meet. That usually leads me to under-share, but on the odd occasion I give myself green lights, things get weird fast. Striking the balance between being withholding and being an emotional exhibitionist is hard, but it’s exactly what’s required of a good first impression. Felipe Smith and Danilo S. Beyruth give themselves all green lights with Ghost Rider 1, and while the result reveals an awful lot about what this series is going to be, it is frustratingly unfocused, bursting from overstuffed plots from the very first issue. Continue reading

All-New Wolverine 9

all new wolverine 9

Today,Taylor and Spencer are discussing All-New Wolverine 9, originally released June 1st, 2015.

Taylor: In middle school I was a wallflower. I would go to dances with the hopes of dancing with a girl only to find myself retreating to the sidelines once the first few bars of a slow song wafted their way across the gym. By doing so I guaranteed my safety, even though that also guaranteed my mission to dance with a girl would fail. There was, and continues to be, safety in fading into the background. There, you aren’t the focus of attention, you can be overlooked, and most importantly, you’re just part of a larger tapestry. But that doesn’t mean you’re any less important than those people on the dance floor; you’re just different. The same can be said for comics, where background, while often overlooked, is an integral part of the art, as All-New Wolverine 9 demonstrates.

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All-New Wolverine 3

all new wolverine 3

Today, Michael and Patrick are discussing All-New Wolverine 3, originally released December 30th, 2015.

Michael: Tom Taylor and Laura Kinney’s first Wolverine adventures continue in All-New Wolverine 3. The story begins with the Wolverine/Taskmaster fight promised at the end of last issue. After Wolverine bests Taskmaster with a surprise foot SNIKT, she regroups with her clone sisters who survived Taskmaster’s attack via body armor. Moving from one action piece to another, the sisters cruise around New York and get into a tank battle with the soldier boys from Alchemax. Laura discovers that her clone sisters Gabby, Zelda and Bellona are prematurely dying and trying to take Alchemax with them on their way out. Laura doesn’t want to accept this however and offers to help the sisters by visiting the Sanctum Sanctorum and enlisting Doctor Stephen Strange. Continue reading

All-New X-Men 1

all new xmen 1

Today, Michael and Patrick are discussing All-New X-Men 1, originally released December 2nd, 2015.

Michael: Crisis on Infinite Earths is often talked about as an editorial cleaning of house, continuity-wise. In a way, I think it contributed to the the opposite effect, with comic books becoming more and more concerned with continuity. I have no problem with that – the soap opera roller coaster that is superhero relationships has always been very appealing to me. More than any other series (maybe tied with Batman) the X-Men books have always been very concerned with the continuity and its ramifications. Continue reading

All-New X-Men 41

Alternating Currents: All-New X-Men 41, Drew and Michael

Today, Drew and Michael are discussing All-New X-Men 41, originally released June 3rd, 2015.

…it was a good metaphor for what was happening with the civil rights movement in the country at that time.

Stan Lee on creating the X-Men

Drew: The X-Men’s role as a metaphor for the civil rights movement is as well-known as it is obvious — a group of people, marginalized by a coincidence of birth, struggle to be accepted by a society that fears and hates them. With so many institutions codifying racism with backwards rules, from school boards to lunch counters, it didn’t take much exaggeration to blow up that marginalization to comic book proportions. As those policies fell out of use, though, the X-Men came to stand in for other groups that were institutionally marginalized. As society continues to discard bigoted policies, however, the struggle for civil rights becomes less and less about fighting institutional rules that can be pointed at, and more about combating smaller day-to-day injustices. By their very nature, those smaller conflicts don’t lend themselves as well to superhero action: exaggerate them, and you lose the insight into how they affect people every day; don’t exaggerate them, and you don’t have anyone for your hero to shoot eye-beams at. Brian Michael Bendis and Mahmud Asrar opt for exaggeration in All-New X-Men 41, and may lose their message along the way. Continue reading

All-New X-Men 40

all new xmen 40

Today, Ryan and Michael are discussing All-New X-Men 40, originally released April 22nd, 2015.

Ryan: All-New X-Men 40 set the internet abuzz. People who have never picked up a comic book are posting about it. Reputable media outlets such as CNN, the Wall Street Journal, Entertainment Weekly, and even Buzzfeed wrote responses to the issue, inspiring a great deal of debate on message boards and comment sections, alike. Can you blame them? It is not every day that a seminal comic book character, one who is universally adored, receives a fresh start and is looked at with a contemporary — if not somewhat controversial — perspective. The creative team of Brian Michael Bendis and Mahmud A. Asrar accomplish exactly this as they reveal that (SPOILER ALERT!)…Random is back, and he brought Boom-Boom, Karma, Masque, Madison Jeffries, and Elixir with him!! Oh, and apparently young Bobby Drake is gay. Continue reading