Batwoman 23

Alternating Currents: Batwoman 23, Drew and Shelby

Today, Drew and Shelby are discussing Batwoman 23, originally released August 21st, 2013.

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Drew: At the end of Batwoman 22, Kate asks Bones for thirty hours to prepare for her planned takedown of Batman. We all suspected that that request might not be entirely on-the-level, assuming that Kate would use that time to set-up her own counter-plan. Issue 23 reveals that we were only half-right — Kate does use that time more for her own personal ends than for preparing for her mission, but how she uses it is entirely unexpected. Continue reading

Batwoman 22

batwoman 22

Today, Patrick and Drew are discussing Batwoman 22, originally released July 17th, 2013.

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Patrick: We spent last month with The Killer Croc — an oddly blunt instrument for symphony as subtle and sophisticated as Batwoman. A few pages in to this issue, and we become aware that our heroes are searching for Bane to ask him for advice on how to capture Batman. I know Bane’s actually done this before, but it is interesting to see the brutish villains popping up in a more cerebral title. And the party doesn’t end there — the ranks of the good guys and the bad are fleshed out with soldiers and psychopaths. How exactly these opposing forced are going to accomplish their goals is another topic of conversation altogether. Continue reading

Batwoman 20

batwoman 20

Today, Shelby and Drew are discussing Batwoman 20, originally released May 15th, 2013.

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Shelby: Trust is always an interesting concept to explore when masked superheroes are involved. The protagonist’s entire experience is based on a lack of trust: they don’t trust their loved ones to with their secret identity, they don’t trust the existing authority to take care of crime. That the distrust is well-founded doesn’t lessen the fact it’s the foundation of a successful masked superhero. But even the most independent superhero has got to have someone in the corner, some support system of people they trust and can rely on. Unfortunately, Kate seems to continuously find herself faced with people telling her, “you will trust me, whether you like it or not!”, essentially rendering the entire concept meaningless.

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