This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it.
James A. Baldwin
Drew: The sci-fi trappings of East of West can at times make its alternate history feel particularly exotic, but for better or for worse, much of its history resembles our own. I mean, sure, our own Civil War ended in just over four years, and there was no comet that brought with it an apocalyptic prophecy, but most of the makings of that world lie in the very real history of the antebellum United States. Indeed, the ugliest parts of East of West‘s history are based entirely on the truths of American slavery and Manifest Destiny — the legacies of which we’ve never truly reconciled as a nation. Case in point: the Union’s capitol is built on the literal bones of the Endless Nation, turning a symbol of our own shameful past into a potent image that had heretofore given the Union power over the Nation. It’s only by — again, literally — digging up that history that any progress can be made. Continue reading →
Today, Patrick and Taylor are discussing East of West 24, originally released January 29th, 2015.
Taylor: Anyone who has ever regularly practiced cardio exercise can tell you about the importance of pacing. I myself ride my bike to work whenever possible, and while I’m in the saddle, I definitely fall into my usual rhythm. There’s something about finding the proper pace to your workout, race, or commute that is incredibly important to helping it run smoothly. Pace is similarly important with story telling, the only difference being that instead of a steady pace, you want one that varies and excites you. Comic books are interesting when you consider the pacing of a story. Does each issue need a varying pace or should the series as a whole vary its pace as needed regardless of individual issues. East of West is a series that seems to fall into the latter and while this is cause of equal parts frustration and excitement. Continue reading →
Today, Patrick and Taylor are discussing East of West 22, originally released December 2nd, 2015.
Patrick: The world of East of West exists in a state of ceaselessly progressing apocalypse. Jonathan Hickman and Nick Dragotta’s series is appropriately grim to match the tone of a world mired in sustained war, famine, disease and death. And while that’s all terrible, it has sort of become background noise against which millions of people still lead their lives. It takes a specific moment of invasive violence to snap readers out of their apocalypse-apathy, and issue 22 doubles down on both the specificity and the invasiveness of that violence. The result is a haunting, immediate issue that preys on our fears of being attacked when we are at our most vulnerable. Continue reading →
Today, Drew and Taylor are discussing East of West 11, originally released April 9th, 2014.
That’s when the attack comes — not from the front, no, from the side, from the other two raptors you didn’t even know were there.
– Alan Grant, Jurassic Park
– Robert Muldoon, Jurassic Park
Drew: I’m not sure I can explain why, but some of my favorite movies feature surprises that are actually spoiled within the movie itself. Edgar Wright’s Cornetto Trilogy perfected this idea, basically using it to structure each film, but my all-time favorite example has to be the raptor attack from Jurassic Park. The attack doesn’t come until towards the end of the movie, but is actually explained, virtually point-for-point, by Grant within the first ten minutes. In the excitement of the scene, we forget what Grant said about raptor attacks, and can only piece it together after it happens — after we realize that we already knew what would happen. While Jonathan Hickman doesn’t hide anything quite as shocking as a surprise velociraptor in East of West 11, he does blindside us with an element that has been hidden in plain sight since the beginning: the Endless Nation.