Phonogram: The Immaterial Girl 2

phonogram 2Today, Spencer and Shane are discussing Phonogram: The Immaterial Girl 2, originally released September 9th, 2015.

Spencer: Quite a few people who know me in real life think that I’m very quiet and shy. I suppose that’s closer to the truth than I’d like to admit, but the reality is that if you get me talking about the right subject, I’ll never shut up. Sometimes, it actually scares me how I can only seem to relate to people if we can chat about comics or music or pop culture — especially as I grow older and my friends and family turn their attention more and more to falling in love and raising families. I have to wonder if there’s something wrong with me, if my hyper-intense focus on my hobbies makes me a lesser, “two-dimensional” person. The cast of Kieron Gillen and Jamie McKelvie’s Phonogram: The Immaterial Girl seem to be dealing with the same kind of worries in issue 2, even if they’re not quite self-aware enough to articulate them yet. Continue reading

Phonogram: The Immaterial Girl 1

phonogram 1Today, Shane and Spencer are discussing Phonogram: The Immaterial Girl 1, originally released August 12th, 2015.

Shane: It’s entirely possible that I’m among the worst choices to review this comic. I haven’t bought a physical comic in years. That’s not to say that I haven’t purchased comics — after all, we live in a world that has embraced the digital age — but nothing in hard copy, and certainly not by single issue. And yet, on Wednesday I found myself headed to my first comic book shop in years (walking seventy blocks to get there like a madman), all to purchase a single four dollar comic. I bought this comic knowing that I was going to love it, and I’m hardly the only one to show this sort of devotion towards Phonogram: The Immaterial Girl — scores of fans have shown off tattoos, or traveled great distances to cons, or created fanzines, or gone to see Kieron Gillen DJ at a random show due to how well it ties into the Phonogram narrative. It’s not uncommon for media to evoke such passion, of course…but consider, if you will, that prior to this week, Phonogram existed soley as two poorly selling limited series by creators who were, at that time, almost entirely unknown. This wasn’t even the work that built their careers — Gillen and Jamie McKelvie remained struggling artists until their breakout work at Marvel Comics — but it wouldn’t surprise me if this series, more than even Young Avengers and The Wicked + The Divine, will be the comic they’re most linked to in the long run. Continue reading