Today, Drew and Spencer are discussing The Wicked + The Divine 28, originally released April 12th, 2017. As always, this article contains SPOILERS.
Drew: Fatalism has always been baked into the world of The Wicked and the Divine. Right from the start, we understood that the pantheon were destined to die, though the exact reasons for their death remained mysterious. In the wake of Ananke’s death, our characters have begun to question whether or not they are truly doomed to die — they know only what Ananke told them, but no longer trust her words. As the pantheon variously pursue their different paths, some in hopes of defying what may-or-may-not be their destiny, I can’t help but wonder if their names might offer some hint about what those destinies might be. Continue reading →
Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Teenage Mutant Ninja Turtles Universe 8, Green Valley 6, and The Wicked + The Divine 27. Also, we discussed Star Wars: Doctor Aphra 5 on Friday, so check that out! As always, this article contains SPOILERS.Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 26, originally released February 8, 2017. As always, this article contains SPOILERS.
Spencer: Set in the aftermath of Ananke’s death, “Imperial Phase (Part 1)” has been an arc all about figuring out what to do next. Last month’s cliffhanger finally presented a tangible threat in the form of the Great Darkness (or at least some of its agents), but if you thought that’d be enough to unite the Pantheon against a common enemy, you’d be sadly mistaken. The Wicked + The Divine 26 finds these gods as divided and lost as ever…and perhaps suggests that’s the way they’re meant to be? Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 25, originally released January 4th, 2017. As always, this article contains SPOILERS.
Spencer: There’s been an air of aimlessness to The Wicked + The Divine‘s fifth arc; with Ananke dead, it seems like the Pantheon don’t really know what to do with themselves. This quality is clearly a purposeful choice on Kieron Gillen and Jamie McKelvie’s part, as this entire storyline seems to revolve around figuring out “what comes next?” Issue 25 provides at least one solution (in the most shocking way possible), but what may be more significant is the way it emphasizes — both to the Pantheon and the audience — what questions about the future they should actually be trying to answer in the first place. Continue reading →
Without artists, all of your favorite characters, scenes, costumes, and locations would just be words on a page. In short, they’re the ones that make comics comics. That’s a lot of responsibility, yet the best artists manage to juggle all of those tasks and inject some meaningful art and style into the proceedings. Whether its a subtle expression or a jaw-dropping action sequence, our favorite artists add the requisite magic to make their worlds and characters real. These are our top 10 artists of 2016. Continue reading →
Today, Drew and Spencer are discussing The Wicked + The Divine 23, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Drew: The epistolary novel — a novel told as a series of documents (letters, newspaper clippings, etc) — presents an intriguing contradiction of allure. The thought of holding “real” evidence of a story brings it closer to us, while their existence distances us from the immediacy of the events they describe. That tradeoff can be mitigated when only a portion of the narrative is epistolary; in presenting both a traditional narrative and physical evidence of that narrative, storytellers can have their cake and eat it too. This is a tactic that is remarkably common in comics, where text and image already freely mix to create illusions of reality in a way that simply isn’t true of prose. Watchmen is obviously the most well-known example of augmenting a traditional comic with epistolary documents, but countless series have employed the technique since. I would argue, however, that none of those examples — including Watchmen — justify the existence of those documents quite as elegantly as The Wicked + The Divine 23. Continue reading →
Today, Spencer and Shane Patrick are discussing The Wicked + The Divine 19, originally released May 4th, 2016.
Spencer: For a series about literal gods, The Wicked + The Divine has spent very little time exploring the idea of “belief.” I suppose that makes sense — these gods exist whether you believe in them or not, and probably care little either way. Issue 19 doesn’t change that, but it does explore belief in an entirely different context. With the Pantheon now split into two warring camps, each member’s loyalties seem to depend on which figurehead’s story they believe the most. Fascinatingly, though, writer Kieron Gillen seems to be hinting that neither Ananke nor Persephone can be trusted — or, at the least, both are hiding something big. Trying to discern the truth adds a lot of depth to this (already exciting) storyline. Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 18, originally released April 6th, 2016.
Spencer: The Wicked + The Divine is back after a nearly four month absence, and regular artists Jamie McKelvie and Matthew Wilson have returned to the title after an even longer break. Not a single member of the creative team misses a beat, leaping headfirst into the title’s most action packed story yet, and one that draws deeply upon all the lore and characterization writer Kieron Gillen’s established in the past 17 issues. The Wicked + The Divine18 never holds back and never slows down, so neither shall I. Let’s dive right in. Continue reading →
Today, Spencer and Patrick are discussing The Wicked + The Divine 16, originally released November 11th, 2015.
Spencer: Back in 2012 I was supposed to go to the midnight premiere of The Hunger Games with a group of friends, but I ended up getting tickets to a different theater by accident. Rather than go by myself, I roped a friend who wasn’t a fan of franchise into going with me by playing up the movie’s violence and making it sound like something it wasn’t. He wasn’t happy with the movie, and I knew up front he wouldn’t be, but at the time I didn’t care — I just wanted him to come with me. I couldn’t help but to remember that anecdote while reading The Wicked + The Divine 16; The Morrigan’s inviting Baphomet into the Pantheon is equally selfish, if much more destructive in the long run than my boneheaded move.
Today, Spencer and Shane are discussing Phonogram: The Immaterial Girl 2, originally released September 9th, 2015.
Spencer: Quite a few people who know me in real life think that I’m very quiet and shy. I suppose that’s closer to the truth than I’d like to admit, but the reality is that if you get me talking about the right subject, I’ll never shut up. Sometimes, it actually scares me how I can only seem to relate to people if we can chat about comics or music or pop culture — especially as I grow older and my friends and family turn their attention more and more to falling in love and raising families. I have to wonder if there’s something wrong with me, if my hyper-intense focus on my hobbies makes me a lesser, “two-dimensional” person. The cast of Kieron Gillen and Jamie McKelvie’s Phonogram: The Immaterial Girl seem to be dealing with the same kind of worries in issue 2, even if they’re not quite self-aware enough to articulate them yet. Continue reading →