by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
…there is no new thing under the sun.
It’s unfortunate that pointing out that something isn’t entirely original is seen as a critique. In this postmodern age of the remix, surely we can all understand that nothing is “entirely original,” or at least isn’t made from entirely original parts. As with cooking, the excitement lies more in how the individual ingredients interact with one another than any one ingredient’s novelty. Such is the case with Robert Kirkman and Lorenzo De Felici’s new Oblivion Song, which smashes together several familiar premises and character motivations, but manages to produce something surprisingly refreshing. Continue reading