Loving the Dimension You’re With in Oblivion Song 3

by Drew Baumgartner

Oblivion Song 3

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Hey, can you get Stockholm syndrome for a place? For a set of circumstances? When generalized in this way, Stockholm syndrome seems less like a pathology and more like a testament to human resilience. We can come to love whatever hand life deals us, even when we initially wanted something completely different. Maybe that’s a coping mechanism to keep us from dwelling on what could have been, but it’s potent, either way. Anywhere you look, from crumbling cities to evacuated war zones, you’ll find people who refuse to leave because this is their home. Or, more precisely, this is their life — they can’t just chuck it all away for something they might have preferred a decade ago. It’s not an attitude that makes a whole lot of sense from the outside looking in, but that may be exactly what the remaining survivors in Oblivion are feeling. Continue reading

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Oblivion Song 2 Explores Different Approaches to Loss and Grief

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The sad truth of our lives is that we will all eventually have to say goodbye to the person or persons we care about most. The thing that differs is how we all cope with that grief. Robert Kirkman and Lorenzo De Felici’s Oblivion Song 2 explores a few different ways in which we handle that loss. Continue reading

Remixing the Familiar in Oblivion Song 1

by Drew Baumgartner

Oblivion Song

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

…there is no new thing under the sun.

Ecclesiastes 1:9

It’s unfortunate that pointing out that something isn’t entirely original is seen as a critique. In this postmodern age of the remix, surely we can all understand that nothing is “entirely original,” or at least isn’t made from entirely original parts. As with cooking, the excitement lies more in how the individual ingredients interact with one another than any one ingredient’s novelty. Such is the case with Robert Kirkman and Lorenzo De Felici’s new Oblivion Song, which smashes together several familiar premises and character motivations, but manages to produce something surprisingly refreshing. Continue reading