This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
…there is no new thing under the sun.
It’s unfortunate that pointing out that something isn’t entirely original is seen as a critique. In this postmodern age of the remix, surely we can all understand that nothing is “entirely original,” or at least isn’t made from entirely original parts. As with cooking, the excitement lies more in how the individual ingredients interact with one another than any one ingredient’s novelty. Such is the case with Robert Kirkman and Lorenzo De Felici’s new Oblivion Song, which smashes together several familiar premises and character motivations, but manages to produce something surprisingly refreshing. Continue reading →
Today, Mikyzptlk and Drew are discussing Mind MGMT 17, originally released November 27th, 2013.
Mikyzptlk: I’m normally not the type to start a series with anything other than issue 1, but being an editor for Retcon Punch requires you to step out of your comfort zone every once in a while. I started this series with issue 16, and since it was a one-shot, it felt like an interesting experiment. Analyzing issue 17 feels like an experiment too, but of a different sort. Today, I’ll be trying to figure out what’s going on underneath the surface of issue 17 of Mind MGMT while trying to piece together the events of the previous issues. Hoo-boy. Continue reading →