Drew: Happy belated Fathers’ Day, everyone! I know I’m close to a week late, but hey, it’s not like your my dad, right? Okay, I may have missed the moment there, but Batman Eternal 11 actually hits a bit closer to the mark, landing only four days after the actual holiday. Still seem a little late? Consider how non-topical other comics tend to be. It makes sense; a six-issue arc may span a matter of days of narrative time, but would cover six months in real time — how do you sync that up to fixed holidays? It’s still done from time to time, but it’s usually relegated to one-off anthologies, or even commemorating events a few months after the fact. There are a few notable exceptions, which manage the feat largely by synching their narrative rate to their release schedule, like The Long Halloween or 52, two series to which Batman Eternal obviously owes a great debt. The weekly format truly gives the writers an opportunity to line events up on the calendar, giving us just a bit more to relate to in the pages. Far from hackneyed or forced, this issue reveals one of the primary perks of such a large ensemble cast: it’s easy to find occasion-appropriate themes when so many plates are spinning at once. Continue reading
Today, Shelby, Drew, Spencer, Mikyzptlk, and Patrick are discussing Batman Incorporated Special 1, originally released August 28th, 2013.
Grant Morrison’s Batman, Incorporated epic recently concluded with the “death” of Talia, the “end” of Leviathan, and dozens of Damian clones in jars. While we lost a few characters, some we loved more than others, Morrison’s run spawned a multi-cultured cast of goofy Batman and Robin agents, working ’round the world to do good. Forced to shut the program down, Batman is giving Batman Incorporated casefiles one last looksie before “closing” everything down.
Today, Drew and Patrick are discussing Batman Incorporated 0, originally released September 26th, 2012. Batman Incorporated 0 is part of the line-wide Zero Month.
Drew: Up until the relaunch of Batman Incorporated, I had read the entirety of Grant Morrison’s Batman Epic in trades. At the time, I lacked the resources of a comprehensive guide to the entire run, so I didn’t exactly read the whole thing in order. I’d start in the middle and work my way in either direction; I’d hop to another trade and need to close the gap between the two. That non-intuitive reading order only exacerbated Morrison’s famous obliqueness, leading to some incredibly disorienting reading experiences. Since then, I’ve re-read everything in proper order, allowing me to understand the current run with surprising ease. I was happy to be conversant in what Morrison was doing, but a little part of me missed that sense of suspended animation, waiting for things to click into place. I was a little happy, then, to find a few fleeting moments of that confusion in this issue, though I suspect not everyone will be.