Today, Mark and Michael are discussing All-Star Batman 10, originally released May 10th, 2017. As always, this article contains SPOILERS.
Mark: It’s easy to take post-Crisis Alfred Pennyworth for granted: faithful household butler to Thomas and Martha Wayne who takes young Master Bruce under his wing as a surrogate father, guiding Bruce through the toughest years of his life. Alfred is Batman’s Batman, the person responsible for keeping the trains running on time, and the last man standing in Bruce’s corner when everyone else is against him. This characterization of Alfred is so ingrained in our consciousness thanks to the movies, animated television shows, video games, and, of course, comic books that have released post-Crisis, propelling the Bat Family’s cultural cache into a larger multimedia stratosphere than they’ve ever experienced before. But like most comic books characters, the Alfred we now know is not the Alfred that always existed. Continue reading →
Today, Patrick and Mark are discussing All-Star Batman 5, originally released December 28th, 2016. As always, this article contains SPOILERS!
Patrick: From the outset, Batman seems like a pretty simple concept: an orphaned billionaire who grew with a grudge against the criminal element that took his childhood away from him. Plus, y’know – gadgets and punching dudes. But nearly 80 years of publishing history have done a number on what the character “means.” A holistic view of Batman is nearly impossible, and it usually takes a savant like Grant Morrison to synthesize it all into one character. With their “My Own Worst Enemy” story arc, Scott Snyder and John Romita, Jr. make a case for the existence of multiple takes on Batman, and by extension multiple takes on heroes, villains, and humanity in general. It’s an exercise in not pinning anything down, which makes for a genuinely exciting, if often unsettling, narrative. Continue reading →
Today, Drew and Michael are discussing Batman Annual 1, originally released November 30th, 2016. As always, this article contains SPOILERS.
Drew: A few years ago, fellow Retcon Puncher Patrick Ehlers suggested that deconstruction had become so commonplace in Batman stories that they had come to become inseparable from the character. That is, deconstructing the character had become as essential to the telling of Batman stories as Batmobiles and gimmicky villains have become essential to the stories themselves. It’s a compelling argument — especially when you consider the fact that modern interpretations of the character are all informed by Frank Miller’s famous deconstructions of the character — but I maintain that it’s largely incidental to his existence. To me, the key fact is that Batman has been around (and beloved) for 75+ years, so of course creators that grew up with the character are going to relish playing with that history. I can expound on why I think that negates Patrick’s point in the comments, but for now, it’s enough to say that I think the deconstructions have more to do with nostalgia than anything intrinsic to the character. Nostalgia is certainly a central theme in Batman Annual 1, an anthology issue that brings together some of Batman’s most famous stewards, past and present, for a walk down memory lane. Continue reading →
Today, Michael and Patrick are discussing Superman 11, originally released November 16th, 2016. As always, this article contains SPOILERS.
Michael: Superman 11 concludes the fantastic and fun “World’s Smallest” arc/prelude to the upcoming Super Sons series. Batman, Superman and Alfred have devised a series of tests for Jon and Damian to overcome by working as a team. With Robin: Son of Batman’s Maya Ducard and “not a man-bat” Goliath in on the fun, Superman 11 is a complete Patrick Gleason/Pete Tomasi partnership. With its classic approach of the character, Superman has consistently been one of the best Rebirth titles. But by throwing Damian Wayne into the equation Tomasi and Gleason up their game exponentially. Continue reading →
Today, Patrick and Michael are discussing All-Star Batman 1, originally released August 3rd, 2016.
Patrick: It’s hard to think of a creator at DC comics that has had a more lasting, meaningful, and marketable impression on a character in the last five years than writer Scott Snyder. His run with Greg Capullo on Batman (coupled with his role running the rooms for both Batman Eternal and Batman and Robin Eternal) makes Snyder the mental and emotional authority on Gotham’s Dark Knight. Bruce Wayne may be the “Batman” in the title, but Snyder himself is the “All-Star.” The first issue moves with such breathless confidence, willfully tossing out repulsive imagery, C-tier villains, and disorienting chronology with such abandon, it’s like the blockbuster creative team is daring us to stay away. But for every “22 minutes earlier,” for every appearance of Firefly, for every horrifying account of people subtly slashed to death, All-Star Batman 1 is an amazingly good time. It’s a remarkable change from Batman, which while obviously excellent, often wasn’t “a good time.” But it’s like Batman reiterates a couple times in this issue: “I’m trying something new.” Continue reading →
Today, Michael and Mark are discussing Batman 1, originally released June 15, 2016.
Michael: I keep saying this lately, but there is something so powerfully elemental about Batman. Not all Batman stories are exactly the same, but there is a certain amount of thematic carryover from one story to the other. I remember that, at the start of The New 52, I noticed a lot of similarities between Scott Snyder’s Batman and Grant Morrison’s that preceded it. Now I find myself doing the same thing with Tom King’s Batman and the Scott Snyder run that preceded it. Judging by the name of King’s first arc (“I am Gotham”) and the heroes Gotham and Gotham Girl, King is going to explore Gotham City as a character; a hallmark of Snyder’s run. Continue reading →
Today, Drew and Mark are discussing Batman: Rebirth 1, originally released June 1st, 2016.
Sometimes a cigar is just a cigar.
Drew: There’s plenty of reasons to believe Freud never said such a thing, but whatever its origin, this quote always helps me keep perspective when attempting to parse the symbolism in a work of art. The last thing I want is to sound like Fred Armesin’s exaggerated (and nonsensical) lyrical analyses, so it always makes me nervous when I find my attention drawn to symbols within a comic. Even with that reticence, though, I couldn’t ignore the deeply symbolic nature of Scott Snyder and Tom King’s Batman: Rebirth, even if I’m not quite sure what all of the symbols mean. Continue reading →
Today, Drew and Spencer are discussing Batman 51, originally released April 27th, 2016.
Drew: Nostalgia is a complicated force in superhero comics. On the one hand, a 75-year history is a unique and powerful tool, one that can be mined to celebrate past achievements and reward loyal readers; on the other hand, an audience’s fondness for that history may be exploited, used in lieu of actual quality to assure sales of a given title. These ends may not be mutually exclusive, but parsing the value of nostalgia becomes even more complicated when we consider our own relationship to the material. I don’t bring this up to spark a discussion of critical theory and the fallacy of objectivity (though that’s a conversation I’m always willing to have), but to acknowledge just how important Scott Snyder and Greg Capullo’s Batman run has been to me, personally, and to Retcon Punch as a website. Continue reading →
Today, Drew and Spencer are discussing Batman/Superman 31, originally released April 13th, 2016.
Drew: What is a comic book series? That sounds like a simple question, but it’s one of those definitions that falls apart under close scrutiny. Peter Tomasi understands how strange our notion of a series can get, as he piloted Batman and Robin through the better part of a year without Robin. In that case, it wasn’t the cast, but the creative team that allowed us to group those issues as part of Batman and Robin. But if we take that definition of a “series” as something to do with a serialized narrative told by the same person (or team of people), what do we make of “Super Legion,” Tomasi’s new eight-part crossover that cycles through four different titles? Does it function like its own miniseries, or do its constituent issues maintain enough of their series’ identity to keep them distinct? The answer lies somewhere in between, which makes Batman/Superman 31 one of the most fascinating, if troubled, individual issues I’ve read in quite some time. Continue reading →
Today, Drew and Michael are discussing Batman 50, originally released March 23rd, 2016.
Drew: The owner of my old LCS, Paul, was not a Batman fan. In his mind, a billionaire using his resources to “punch bad guys” was so misguided as to be immoral. Couldn’t Bruce Wayne do more good resolving the root causes of crime by building mixed-income housing or running programs for at-risk youth? Admittedly, Batman’s “punch bad guys” solution to crime lacks nuance, and seems increasingly outmoded the more we understand what causes crime in the first place. Unfortunately, it’s kind of key to Batman’s appeal — he can be a philanthropist on the side, sure, but nobody wants to read a comic where a guy dressed like a bat subsidizes grocery stores in low-income neighborhoods. To writer Scott Snyder’s credit, he started his run on Batman by having Bruce turn his attention to exactly that type of socioeconomic solution, a goal that forces within Gotham actively worked against. It was a smart move, but the fact that the Court of Owls would allow Bruce to be Batman, but drew the line at him rearranging the economic structure of Gotham speaks to just how ineffectual Batman is at affecting systemic change. With Batman 50, Snyder offers a more compelling justification for Batman — one that just might be the definitive answer to Paul’s criticisms. Continue reading →