Batman and The Signal 1: Discussion

by Michael DeLaney and Taylor Anderson 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: “Do I fit in?” If you are a human being, then you have likely asked yourself this question at least once in your lifetime. We all want to be a part of something; to be a member of a group, team, or soul-costing cult. And if you’ve been reading Scott Snyder’s Batman run for the past few years, another question has been on your mind: “What the hell is the plan for Duke?” Batman and the Signal 1 finally begins to answer that. Continue reading

DC New Talent Showcase 2017

It’s the 2017 DC Comics New Talent Showcase! To cover it, Retcon Punch has assembled our finest old talent to say something about each of these stories.

slim-banner4 Continue reading

Batman & Robin Eternal 26

batman and robin eternal 26

Today, Michael and Spencer are discussing Batman & Robin Eternal 26, originally released March 30th, 2016.

Michael: It wasn’t that long ago when Retcon Punch decided to pit me and Spencer against one another, reviewing Batman Eternal 52 with very different opinions. Now they’ve done it again as we go head-to-head on the finale of the semi-sequel, Batman & Robin Eternal 26. As we transition back to the status quo, does this particular Batman-less Batman tale add anything to the mythos overall? Continue reading

Robin War 2

robin-war-2

Today, Spencer and Michael are discussing Robin War 2, originally released January 13, 2016.

Spencer: Have you ever watched or read something that you could tell was good, but something about it just didn’t work for you? Maybe there was just one small plot point that rang false, but the failure of that one moment led to the rest of the narrative collapsing around it? That’s the way I feel about Robin War 2. There’s quite a bit about this issue that I like, but there’s one flaw in its very premise that kinda ruins the entire event: writer Tom King never explains why the Court of Owls wants to reclaim Dick Grayson so badly. Continue reading

Grayson 12

grayson 12

Today, Mark and Spencer are discussing Grayson 12, originally released September 23rd, 2015.

Mark: Grayson 12 is billed as Dick’s return to Gotham after quitting Spyral, and it is, but it’s also a continuation of the Grayson spy game. Dick truly intends to leave his life as international sex spy behind, but his hand is forced when the mysterious Agent Zero attacks him at Wayne Manor. Unless he returns to Spyral, she threatens, they’ll reveal to the world that Bruce Wayne is Batman. It’s a threat that’s been made in Bat Family comics forever, but it actually has greater weight here as Bruce is currently in no position to defend himself. Continue reading

Batman 40

batman 40

Today, Spencer and Patrick are discussing Batman 40, originally released April 29th, 2015.

Spencer: Batman 40 is a dense issue. I’ve lingered over this issue in a way I haven’t lingered over a comic in quite a while. Every page is rich with meaning, both in the writing and the art, and it would take far more space than Patrick and I have allotted here to fully unpack it. Let me assure you all, though, that doing so is more than worth the time and effort. Batman 40 is a masterpiece that can be enjoyed on numerous levels, and I think it’s an issue we’re going to be dissecting for a long time to come. So let’s get to it. Continue reading

Batman Eternal 52

batman eternal 52Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.

People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.

Bruce Wayne, Batman Begins

Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading

Robin Rises Alpha 1

robin rises 1Today, Patrick and Spencer are discussing Robin Rises Alpha 1, originally released December 24, 2014.

Patrick: One of my least favorite criticisms of serialized fiction is that a story “didn’t go anywhere.” We have an expectation that the journey we’re on with the characters is somehow part of an investment that pays off in a meaningful way as events progress. We literally use that term “pay off,” as though the entertainment itself in a cost-benefit proposition. I resent the idea that we can’t enjoy a single issue on its own merits, and instead comfort ourselves with the idea that one volume seeded something that will feel significant later. Robin Rises Alpha 1 closes out the Damian’s Resurrection story by finally giving readers a glimpse of what it means to have a superpowered Wayne behind Robin’s mask. It’s an issue frustratingly short on content, repeating themes, scenes and pages from elsewhere in Batman and Robin, all but guaranteeing that the pay-off here is a retread of the past, rather than boldly striking out into the future of the character. Continue reading

Batman and Robin 37

batman and robin 37Today, Patrick and Spencer are discussing Batman and Robin 37, originally released December 17th, 2014.

…for us and for our salvation, He came down from heaven: by the power of the Holy Spirit, He was born of the Virgin Mary and became man. For our sake, He was crucified under Pontius Pilate; He suffered, died and was buried. On the third day He rose again, in fulfillment of the scriptures; He ascended into heaven and is seated at the right hand of the Father.

-The Nicene Creed

Patrick: Growing up in the Catholic church, I always had a little bit of a problem with this part of the Nicene Creed. On the one hand, it’s very clear: Jesus sacrificed everything — including his life — in order to save the whole world from sin. But on the other hand, death didn’t share any of the long-lasting consequences it does for anyone else. Jesus died, but then he returned, three days later. What’s more is that he transcends his human flesh and embraces his fully divine nature by hanging out with God in heaven. While the drama of death and resurrection is enough to stir a body to faith, it betrays a fundamental truth about death. What’s hard about death isn’t that someone dies, it’s that they stay dead. And yet, this narrative — of death and rebirth — is so powerful it’s one of the stops on Joseph Campbell’s hero’s journey. Batman and Robin has allowed Bruce Wayne to deal with Damian’s death in grounded, real ways for almost two years, but now that “resurrection” is in play, subtlety goes right out the window. This is Damian, the bat-Christ-figure to beat the band, and he only marches back on the field to fireworks. Continue reading

Batman and Robin 35

batman and robin 35Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.

Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading