Character Drives the Drama in Marvel Rising Alpha 1

by Drew Baumgartner and Ryan Mogge

Marvel Rising Alpha

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: For most of my mid-20s, I worked for an academic summer program — basically, summer camp for nerds. As with most work with youth, the job was both rewarding and frustrating, with unexpected problems often interrupting the flow of what we might imagine a “normal” day to be. Indeed, those unexpected problems came up so regularly, that my boss’s regular refrain was “don’t let the urgent crowd out the important” — that is, don’t forget the part of the job that isn’t putting out fires. It’s straightforward advice, insisting that every part of the job is important, but I think it’s particularly salient when dealing with kids — you don’t want the loudest, most poorly-behaved students to command all of the attention, as the quiet, well-behaved students might be struggling just as much. It’s a hard balance to strike, especially for the college-aged students we hired as instructors, so I understand exactly why Doreen Green makes the missteps she does in Marvel Rising: Alpha 1. Continue reading

Jen is no Columbo in Hulk 8

by Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Most detective stories make sure you know just as much as the detectives. You discover clues along with them, and are with them as they figure out what it all means. Then, there is the Columbo-style of storytelling. That’s when the audience knows the “solution” to the mystery from the beginning. The pleasure of these stories is watching the detective start from zero and deduce motive, means, opportunity and identity of the criminal. In Hulk 8, Mariko Tamaki starts the reader with all of the information, but Jen’s investigation ends up feeling lifeless as a result.

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Recovery Means Coming to Terms with the Monster Within in Hulk 7

by Spencer Irwin

Hulk 7

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Recovering from a traumatic incident is a process that never quite ends. One can’t expect to ever be the exact same person again that they once were before the incident; instead, they have to learn to move forward and live with their new status quo. That seems to be the point Jen Walters has reached in Mariko Tamaki and Georges Duarte’s Hulk 7 — having come to terms with the fact that her life has changed, Jen’s now looking to figure out what, exactly, these changes mean and how they’ll fit into her life going forward. Continue reading